The haunting dramatization of “Crime and Punishment” now on stage attacks the work with the same fire and attention to moral argument as the master writer, Fyodor Dostoyevsky, himself. 

A revelatory, brilliantly acted revival of August Wilson’s play is currently on stage at Court Theatre, under the direction of Ron OJ Parson.

The blight, as well as the occasional bursts of beauty that define life in inner-city high schools is all too familiar. But rarely has it been captured with such a sense of wit, grace, exasperation and tragicomic insight.

Not only does director Calvin MacLean have deep Chicago roots, so do a number of the major players in this grand-scale production.

One thing you realize from the very start of “Nightmares and Nightcaps: The Stories of John Collier” is that its narrator – a dissipated, devilishly twisted writer – is not going to sugarcoat things. 

Nothing more concisely captures the impressive scope of the work done on Chicago-area stages than this annual list of nominations.

Qui Nguyen’s play, now receiving its Chicago premiere at Writers Theatre, is a second generation, rap-era kid’s flashy, sexually charged version of a story about the pain and rage that come with being a refugee, and the difficult process of assimilation. 

As always, the annual benefit concert served up a rich smorgasbord of styles Saturday. It also offered a subtle suggestion of Chicago’s dance history.

As difficult as it may be to believe, the summer of 2018 is winding down. One significant marker: the Grant Park Music Festival will give the final performances of its 84th season on Saturday.

Broken souls grasp for meaning and connection in Samuel D. Hunter’s intense play that unfolds in a dreary church basement in the small town of Idaho Falls, Idaho.

As visitors to the Ravinia Festival well know, the picnics on the grass staged there tend to be legendary feasts. But it is the musical feasts that are the real food for thought.

In her deftly crafted new show, “Rick Stone the Blues Man,” writer/director Jackie Taylor has devised a wonderfully engaging way to explore the full spectrum of blues classics.

In spinning the tale of Knute Rockne and his prize athlete, the creators of this terrific show have tapped into much grander themes than the nature of intensely competitive college football.

Theater critic Hedy Weiss gives us her take on a Tennessee Williams classic, an Elvis musical full of glitz and hits and more on Chicago-area stages.

A little more than a year after he suffered “a mild heart attack” midway through his opening night performance in “Pamplona,” Stacy Keach is in top form. 

Too often this Elvis Presley-focused prequel to “Million Dollar Quartet” homes in on material that might have been cut from that earlier show. But on the plus side, it infuses the story with much that was omitted from “Quartet.”