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Cher Álvarez (Nora) in “A Doll’s House.” (Photo by Michael Brosilow)

Writers Theatre’s production of “A Doll’s House,” cannily but faithfully adapted by Sandra Delgado and Michael Halberstam, and featuring a bravura performance by Cher Alvarez, brought the play back to life in the most unexpected ways.

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Greig Matthews and Amanda Assucena in Joffrey Ballet’s production of “Jane Eyre.” (Photo by Cheryl Mann)

British choreographer Cathy Marston’s enthralling production of “Jane Eyre,” is now being performed with stellar artistry and deep emotional insight by the Joffrey Ballet even though not a single word is spoken throughout the performance.

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Hollis Resnik as Norma Desmond in “Sunset Boulevard” from Porchlight Music Theatre. (Photo by Michael Courier)

A musical-opera hybrid, “Sunset Boulevard” captures the dual face of Hollywood as a dream factory and a dream destroyer. And it spins the haunting tale of Norma Desmond, an aging, once fabled star.

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Tommy Bullington and Sarah Beth Tanner in “A Man of No Importance.” (Photo by Heather Mall)

“A Man of No Importance,” now receiving an altogether beautiful, heartrending production by Pride Films and Plays, features exceptionally fluid, comedy-meets-tragedy direction by Donterrio Johnson and an ideal cast.

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Pianist Sunwook Kim plays Mendelssohn’s Piano Concerto No. 1 in his CSO debut at Symphony Center on Oct. 10, 2019. (Photo by Anne Ryan)

The Chicago Symphony Orchestra was at its rip-roaring best Friday as award-winning pianist Sunwook Kim made a simply smashing debut with the orchestra. 

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“Synapse” by Nick Pupillo (Photo by MREID Photography)

The City of Chicago and the League of Chicago Theaters declared 2019 “The Year of Chicago Theatre.” But anyone who has been following dance in Chicago in recent years will attest to the fact that it is now time to declare a “Year of Chicago Dance.”

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Chicago Shakespeare Theater presents Isango Ensemble’s “A Man of Good Hope,” based on the book by Jonny Steinberg and adapted and directed by Mark Dornford-May, in the Courtyard Theater, Oct. 4–13, 2019. (Photo by Keith Pattinson)

Based on the book by Jonny Steinberg, “A Good Man of Hope,” is a heart-wrenching, fiercely honest, staggeringly beautiful production by South Africa’s extraordinary Isango Ensemble now on stage at Chicago Shakespeare Theater.

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From left: Scott Parkinson, Stef Tovar, David Parkes, Jed Feder and Bri Sudia in TimeLine Theatre Company’s “Oslo.” (Photo by Brett Beiner Photography)

J.T. Rogers’ superbly crafted, whip-smart, at times fancifully (and farcically) imagined 2017 Tony Award-winning play captures the efforts of a Norwegian husband-and-wife team to forge a peace process between the Israeli government and the PLO.

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Rebecca Spence in “Every Brilliant Thing.” (Photo credit: Michael Brosilow)

Ingeniously conceived and cleverly directed, this immersive show features a not-to-be-missed solo turn by Rebecca Spence, a captivating actress of extraordinary skill, charm and improvisational brilliance.

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Heather Chrisler and Terry Bell in “Howards End.” (Photo by Michael Courier)

There is a great variety of theater on stage in Chicago this fall. Critic Hedy Weiss recommends her current favorites.

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Eliza Stoughton and Mark Ulrich in “Howards End,” left, and Emma Brayndick and Miles Borchard “Sons and Lovers.” (Photos by Michael Courier, left, and Lisa Lennington)

Two groundbreaking novels – E.M. Forster’s “Howards End” and D. H. Lawrence’s “Sons and Lovers” – are currently receiving world premiere productions on Chicago stages. And despite their creation more than a century ago, they remain exceptionally timely.

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Janet Ulrich Brooks in the Chicago premiere of “Tiny Beautiful Things” at Victory Gardens Theater. (Photo by Liz Lauren)

In 2010, Cheryl Strayed rather reluctantly agreed to write an unpaid online advice column under the name of “Dear Sugar.” Those columns come to life in this beauty of a show, artfully adapted for the stage by Nia Vardalos (“My Big Fat Greek Wedding”).

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Glenn Obrero in Steppenwolf’s production of “The Great Leap” by Lauren Yee. (Photo by Michael Brosilow)

Playwright Lauren Yee possesses a special gift for animating and personalizing history, and for penning exceptionally dynamic dialogue. And although not a single basketball is dropped into a hoop during “The Great Leap,” the sport comes to life.

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From left: Deanna Reed-Foster, Rebecca Jordan and Demetra Dee in Shattered Globe Theatre’s Chicago premiere of “Be Here Now.” (Photo by Evan Hanover)

Playwright Deborah Zoe Laufer, whose play “Be Here Now” is receiving its Chicago premiere in a bravura production by Shattered Globe Theatre, has an exceptional gift for being at once sharp-witted and compassionate.

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Enrique Mazzola, music director designate at Lyric Opera of Chicago. (Photo: Jean-Baptiste Millot)

The Italian conductor has been named as “music director designate” at Lyric Opera Chicago, where Sir Andrew Davis will retire as music director at the end of the 2020-2021 season.

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(Credit: BASE Hologram)

At once eerie, astonishing and altogether fascinating, “Maria Callas in Concert” recently brought the legendary diva back to life for what was a singular and wholly uncanny performance.

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