Rachel Barton Pine performs with the Chicago Symphony Orchestra on Friday, July 16, 2021. (Courtesy of the Ravinia Festival)

It was quite a weekend at the Ravinia Festival. On Friday evening virtuoso violinist Rachel Barton Pine filled in for the indisposed Midori with just a few hours of advance notice, and aced Prokofiev’s fiendishly difficult “Violin Concerto No. 1.”

Zell Music Director Riccardo Muti on the podium during the CSO’s May 9, 2019 program of works by Mozart and Stravinsky. (Photo credit: Todd Rosenberg)

In addition to the series of Maestro Riccardo Muti’s concerts, the fall season will mark the arrival of violinist Hilary Hahn, visits by many guest conductors and artists, plus a vast and varied lineup under the Symphony Center Presents banner. Here’s what else to expect.

Zell Music Director Riccardo Muti on the podium during the CSO’s May 9, 2019 program of works by Mozart and Stravinsky. (Photo credit: Todd Rosenberg)

Beginning in September, Maestro Riccardo Muti will lead the orchestra he has not seen since February 2020 in a three-week residency marking the official opening of the 2021-22 season in Orchestra Hall and the return of (hopefully full) live audiences.

Musicians of the Chicago Symphony Orchestra onstage in Orchestra Hall, June 10, 2021 (Credit Anne Ryan)

“Overture,” the final entry in the Chicago Symphony Orchestra’s springtime series of three different programs was performed live in Orchestra Hall on Thursday.  Remaining performances are Saturday at 7:30 p.m. and Sunday at 3 p.m. 

Erina Yashima, former CSO Solti Conducting Apprentice, joins the CSO for the opening performance of the program entitled "Strum," June 3, 2021. (Credit Anne Ryan)

It was a magical evening at Symphony Center Thursday as a meticulously spaced and masked audience gathered for “Strum,” the aptly titled second of three different programs of springtime concerts from the Chicago Symphony Orchestra.

A socially distanced, reduced-capacity audience listens to the sounds of the CSO brass at the concert that signaled the return of Chicago Symphony Orchestra concerts, May 27, 2021. (Credit Anne Ryan)

The Chicago Symphony Orchestra walked onstage to perform their first concert before a live audience in more than 14 months, Thursday evening.

Audience members enter Symphony Center on opening night of Verdi’s “Aida” on June 21, 2019. (Credit: Todd Rosenberg)

The Chicago Symphony Orchestra Association has just announced that beginning May 27, and running through June 13, the CSO will perform its first concerts for a live audience since March 2020.

Florence Price (Courtesy of the CSO)

Programs framed by Bach and Beethoven are streaming now as part of the Chicago Symphony Orchestra’s virtual series, CSOtv. Here’s a look at Episode #13 and #14.

Associate Concertmaster Stephanie Jeong. (Credit: Todd Rosenberg Photography)

The Chicago Symphony Orchestra’s CSOtv Sessions series is, without question, the finest virtual music treasure created in response to the COVID-19 plague year. Those who have yet to revel in its delights are encouraged to catch its two newest entries: Episodes #11 and #12.

Jorge Federico Osorio (Courtesy of Chicago Symphony Orchestra)

The Chicago Symphony Orchestra is offering a last-minute gift before 2020 is over: a concert with renowned pianist Jorge Federico Osorio filmed at Orchestra Hall that you can enjoy at home.

Assistant Concertmaster Yuan-Qing Yu (Credit: Todd Rosenberg Photography)

The doors of Chicago’s Symphony Center may be closed to its audiences until the pandemic has been conquered. But its stage is still very much alive.

CSO Flute and Piccolo Jennifer Gunn. (Credit: Todd Rosenberg Photography)

The Chicago Symphony Orchestra’s newly devised CSO Sessions programming provides ample proof that “adversity is the mother of invention.” And its initial series of five on-demand, beautifully filmed video recordings is a sheer delight.

The CSO’s Lincoln Quartet composed of violinists Qing and Lei Hou, Lawrence Neuman on the viola and cellist Kenneth Olsen perform in a virtual recital in August. (Clay Baker / Chicago Symphony Orchestra)

For now, the Chicago Symphony Orchestra will be focused on intimate, virtual experiences for its fall 2020 season, which includes the launch of a new digital series of performances. 

In this Jan. 1, 2018 file photo, Italian Maestro Riccardo Muti conducts the Vienna Philharmonic Orchestra during the traditional New Year’s concert at the golden hall of Vienna’s Musikverein, Austria. (AP Photo / Ronald Zak, File)

Nine musicians from the Syrian diaspora in Europe are playing Sunday in the 24th friendship concert conducted by Riccardo Muti, this year at the Paestum archaeological site in southern Italy.

Dan Burton in “42nd Street.” (Credit: Théâtre du Châtelet / Marie-Noëlle Robert)

Lyric’s canceled productions of “42nd Street” and “Blue” are now slated to run in 2022 and 2021, respectively. Meanwhile, the Chicago Symphony Orchestra is partnering with WFMT on a series beginning next week.

Pianist Daniil Trifonov (Credit: Dario Acosta)

Many of the concerts at Symphony Center are one-time-only events for which Orchestra Hall’s 2,500 seats are nearly sold out. But attention must be paid to the hours of remarkable music-making brought to the stage. Here are a few recent cases in point.