Three cast members from Lyric Opera’s “West Side Story” join us in conversation and performance. 
This electrifying revival demonstrates how, without straining to “modernize” or rework the 1957 Broadway musical – but by maintaining total respect for its vintage truth and beauty – its enduring power can be fully released.
High-end designers have always been eager to dress the superstar soprano for both stage roles and concert performances. Renée Fleming tells us about those one-of-a kind creations.
One of the world’s most renowned opera singers is marking a landmark anniversary in Chicago. We speak with superstar soprano Renée Fleming.
British director Richard Jones has attempted to yank Handel’s rarely mounted Baroque opera into a more modern era by devising a wholly gratuitous, meaningless and needlessly coarse vision of the work. I just didn’t buy it.
The beauty of this production goes beyond the absolute glory of Giuseppe Verdi’s impassioned, vocally demanding score. And while the voices are uniformly superb, so is the almost conversational style of acting.
Lyric Opera’s production of “Elektra,” last seen here in 2012, has found its ideal cast this time around with singers whose spectacular, powerhouse voices are matched by superb acting skills.
Productions of Puccini’s “Madama Butterfly,” Tchaikovsky’s “The Queen of Spades” and the Chicago debut of “Dead Man Walking” are among the highlights of Lyric Opera’s 2019-2020 season.
Lyric Opera’s production of Giacomo Puccini’s popular romantic tragedy features singers who not only fit their roles ideally but also know how to act. 
Alternately farcical and romantic, this very French rendering of the Cinderella story has arrived on the Lyric Opera stage for the very first time in an altogether enchanting production.
Following a five-day strike that forced the cancellation of three performances at Lyric Opera of Chicago, the company’s orchestra ratified a new contract Sunday.
The musicians’ strike has led the venerable opera company to cancel some performances and issue an apology to patrons.
It’s one thing to star in your local high school musical. It’s a very different thing to take possession of the internationally renowned stage of Lyric Opera of Chicago. That’s just what these students did.
Jo Lampert and Michael Cunio, who currently appear in “Jesus Christ Superstar” at Lyric Opera of Chicago, join us in performance and discussion.
Reviews of two special productions that came to Chicago stages this past weekend: the world premiere of “Long Way Home” from hip-hop masters the Q Brothers Collective; and Lyric Opera’s celebration of Leonard Bernstein.
Despite a lush score, excellent voices and several memorable characterizations, the story often loses its focus in a new production of “Faust” at Lyric Opera of Chicago.
 

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