Tired of livestreams that lacked variety, Evanston artist Steve Rashid wanted to offer a more immersive experience. With the help of his sons and their network of artists from around the country, he created “Into the Mist.” We get a peek at the virtual show that’s unlike any other.

Chicago’s most storied arts institutions have elevated Black leaders to the helm in the last year. We talk with some of them about how the Chicago arts scene is planning its 2021 comeback.

True to its title, this lavish production traces the evolution of Broadway scores from the 1960s until now, and explores the many ways in which pop music (as well as modern life) has expanded and altered the sound of musical theater.

How do you tell the story of a musical genius whose operas are among the most beloved works in the Italian opera canon? If you are Hershey Felder, you create something unabashedly in the grand opera style that also manages to be hugely accessible for audiences still distanced from live performance by COVID-19.

Chicago is looking forward to live theater again as vaccines roll out and infection rates remain low. Here’s what you can expect — and when.

Lauren Gunderson’s new 75-minute play about her husband, acclaimed virologist Nathan Daniel Wolfe, is a riveting one-man meditation about life and death and the nature of viruses. It’s now being streamed by Northlight Theatre.

While most of this country’s major opera companies are suffering the painful slings and arrows of the pandemic scourge, Chicago Opera Theater continues to soldier on. And its latest production is another example of its musical, theatrical and thematic daring.

Two thrillingly dramatic works — one by way of dance and another by way of radio theater — now serve as vivid evocations marking the one-year “anniversary” of the pandemic, and all the physical and psychological dislocations it has engendered. 

Streaming through Sunday, “Before Fiddler” is the latest of the many remarkable feats of musical storytelling from Hershey Felder, the multitalented writer, actor, pianist and producer renowned for his solo shows about composers.

Any description of Rajiv Joseph’s mini-play — the newest entry in Steppenwolf Theatre’s NOW series of virtual programming that runs about 11 minutes — might make it sound like just a quick virtual doodle. But it is much more than that.

When the pandemic hit, theaters across the country were faced with the harsh reality that they were among the first to close their doors — and would be among the last to reopen. How one Chicago theater company has taken its stage online. 

Created and performed by Scott Silven, a young actor, writer, illusionist, mentalist and masterful storyteller, “The Journey” is a mesmerizing riff on time, space, memory, human connection, and the tricks that our very own existence can play on us.

Theater in Chicago shut down in March and won’t be returning anytime soon. A new effort is a reminder of the ongoing support that exists within the theater community. 

Dickens’ “A Christmas Carol” has long been the standard-bearer of the December theater season. But a subsequent and far less familiar novella is now receiving a bravura solo rendition courtesy of Remy Bumppo Theatre.

For several decades, Hershey Felder has created a series of richly theatrical biographies of great composers. His latest work, “A Paris Love Story,” follows that essential pattern but adds a heartbreaking layer of autobiography.

With the coronavirus pandemic foiling plans for a trio of live performances, Chicago Opera Theater has adapted its 2020-2021 season to be a primarily virtual one.