Should any further proof be needed that 2022 has lived up to its designation as “The Year of Chicago Dance,” the performances throughout the month of October alone — whether by resident companies or international visitors — serve as evidence the title is fully deserved.
For Chicago, by Chicago. That’s how local playwright Ricardo Gamboa describes a new production that address the racial and social biases he says he witnessed growing up as a queer Mexican American.
Hedy Weiss joins “Chicago Tonight” to preview a new program from Joffrey Ballet, Goodman Theater’s production of “Swing Stat” and to recap the Joseph Jefferson Awards. 
A love affair between two artists who share a gift for letter-writing. And then a wonderfully devised celebration of Broadway classics. Talk about a study in contrasts. You could not have found a more ideal example of just such a pairing of personalities and styles than the unusual concert performed last week on the Lyric Opera stage by the golden-voiced soprano Renee Fleming and baritone Rod Gilfry, both of whom can shift easily between opera and musical theater.
"Swing State" is the 10th play by Rebecca Gilman to be staged at the Goodman Theatre in the past 25 years, and one of the last plays to be directed there by her long-time champion, Robert Falls, who is now working his way through his final season as the Goodman's artistic director.
The stories that can be told on a stage are limited only by the storyteller’s imagination. But just who gets to write those stories and bring them to life on Chicago’s stages is too often limited to a privileged few.
The Joffrey Ballet spun onto the Lyric Opera House stage with a program of three beautifully danced works under the umbrella title “Beyond Borders.” Those “borders” were stylistic rather than geographical.
A symphonic poem of exceptional beauty by Cesar Franck. A thrilling, grand-scale performance of a masterwork by Modest Mussorgsky. And a breathtaking rendering of a Mozart piano concerto featuring a young, award-winning pianist.
As any traveler will tell you, a trip to Spain is invariably a great treat. But an evening spent with Chicago's Ensemble Español Spanish Dance Theater is, unquestionably, an ideal temporary substitute.
“Refraction” is the all-encompassing title of Hubbard Street Dance Chicago’s fall program at the Harris Theater for Music and Dance, and it marks the start of the celebrated company’s 45th anniversary “Sapphire” season.
When the COVID-19 lockdown hit in March 2020, Chicago’s artistic productions were abruptly placed on hold. Now more than two years later, theater companies are evaluating a path forward with an audience that has new expectations. 
What truly set Orchestra Hall on fire came in the second half of the program as Maestro Riccardo Muti, in subtle but wonderfully expressive balletic form, led an altogether blazing performance of Prokofiev’s “Symphony No. 5 in B-flat Major,” a 1944 masterwork composed at the height of World War II.
Lynn Nottage’s most recent play, “Clyde’s — a nominee at last year’s Tony Awards that is now receiving a production at the Goodman Theatre — deals with a rarely explored but crucial issue. It’s the matter of the extreme difficulty faced by those who have been incarcerated and who, upon release, find it all but impossible to find a job.
One day before Ukraine was invaded by Russia earlier this year, the company unknowingly boarded one of the last flights out of Kyiv to Paris, the first stop on a planned tour. The company has not returned home since then.
If you needed to be reminded of the glorious sound Maestro Riccardo Muti has nurtured during his 13-year tenure as music director of the Chicago Symphony Orchestra, Thursday evening’s concert, marking the start of the 2022-23 season, served as a perfect example.
“The Garbologists” is an engaging, sharply written, and cleverly titled two-character play by Lindsay Joelle now receiving its first professional production by Northlight Theatre. The production follows two garbage collectors who have a competitive tension and developing connection. 
 

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