|
A promotional image for “Il Postino (The Postman).” (Credit: Joe Mazza)

Amid all the dire warnings that live performances might not start up again until 2021, the news that the richly creative company plans to begin its three-production season in November comes as an enormous spirit-raiser.

|
Robert Sims and Tyrone Chambers, II in Chicago Opera Theater’s “Freedom Ride.” (Photo credit: Michael Brosilow)

In its airtight, fervent, emotionally riveting 90 minutes, “Freedom Ride” vividly captures a pivotal moment in American history and the civil rights movement of the early 1960s in the most sophisticated yet accessible way. 

|
Michelle Johnson and Andrew Bidlack in Chicago Opera Theater’s productions of “Aleko” and “Everest.” (Photo credit: Michael Brosilow)

As Robert Frost famously wrote: “Some say the world will end in fire, / Some in ice.” And in a very real sense it was those two opposing endgame scenarios that Chicago Opera Theater conjured this past weekend as it opened its 2019-2020 season.

|
Andrew Bidlack (Greenhorn) and Vince Wallace (Queequeg) in the play “Moby-Dick.” (Photo by Michael Brosilow)

Transforming Herman Melville’s 1851 classic is no easy feat. This opera not only captures the pivotal characters in the novel, but also illuminates its major themes with impressive emotional directness.

A Theatrical Approach to Opera Performed on a Liquid Stage

|

One of the more daring highlights of the fall arts season promises to be Chicago Opera Theater’s staging of the mythical romance “Orpheus and Eurydice.”