The new Visceral Dance Center is an ultra-modern, elegant, rectangular structure in tones of gray and black with six state-of-the-art studios. A stunningly performed program by Visceral Dance Theater is now inaugurating the building’s Ann Barzel Theater. This mightily impressive contemporary dance company deserves just such a home.

Chicago theater is in full bloom for the spring season with a number of new productions and a return of some classic favorites. Hedy Weiss, theater critic for WTTW News, joins “Chicago Tonight” to share her must-see recommendations. 

The Mercury Theater hosts a production of “Disney’s Winnie the Pooh” that is brought to vivid life by a cast of six delightful actor/puppeteers who both operate and voice the familiar forest friends. 

Based on the 2014 memoir by New York Times columnist Charles M. Blow, the opera’s title is drawn directly from the biblical story of Jeremiah, the severely persecuted “weeping prophet” known for his tender heart. But it is a deeply personal and contemporary story.

Oscar Levant was a virtuosic pianist, conflicted champion of George Gershwin, conductor, film actor, author, proudly uncensored comic and self-confessed victim of mental illness. Actor Sean Hayes is so riveting, and so real, in his portrayal that you might begin to wonder if Levant has been fully reincarnated.

There is more than a touch of genius on display in the American Blues Theater’s production of “Stand Up If You’re Here Tonight.” The conceptual magic of the work is enhanced by a tour de force performance. 

A primary example of the Joffrey’s commitment to “the new” was this weekend’s return of the “Winning Works” program, now in its 12th season, with four performances that served as a showcase of four world premiere pieces created by four different choreographers. 

A brutal despot is the force behind much of the tragedy that unfolds in “Tosca.” The opera — with a libretto by Luigi Illica and Giuseppe Giacosa — is at once a love story, and the tale of artists who are destroyed by the twisted power broker who drives them to death. 

Marisa Monte’s concert at the Vic Theatre seemed to be a great liberation for the performer who has been unable to tour the world over the last two year of the pandemic. And it was just one stop in a 10-city U.S. tour highlighting her new album, “Portas.”

“King James” by Rajiv Joseph receives a terrific world premiere by Steppenwolf Theatre. The play follows a friendship over a decade that began over a shared love for LeBron James and the Cleveland Cavaliers. 

Pianist Daniil Trifonov held a concert at Orchestra Hall featuring three fiendishly difficult pieces by Szymanoski, Debussy and Brahms. 

Hubbard Street Dance Chicago has retained a number of its most superb and experienced dancers. At the same time, it has incorporated a good deal of new talent that clearly can carry off the many challenging and stylistically varied works that are part of its ever-expanding repertoire.

The Alvin Ailey American Dance Theater returns to Chicago for the first time since the outbreak of COVID-19 with rousing works and a nod to tradition. 

This past week, in a chillingly prescient way, a rescheduled visit of English National Ballet’s production of Akram Khan’s “Creature” arrived on the Harris stage, and it could not have been more ideally timed. 

The CSO's bravura rendering of this masterwork was, indeed, a temporary balm for the soul and evidence of how great works of art speak to us throughout time.

“Come From Away” is the altogether brilliant musical based on the spirit-raising effort finessed by a small community in Newfoundland, Canada in the wake of the shocking terrorist attacks perpetrated on the morning of Sept. 11, 2001.