Cherise Thomas, Isaac Ray, Kai A. Ealy, Eva Ruwé, Eric A. Lewis, Jessica Brooke Seals, Kelvin Roston Jr., Aeriel Williams, Shari Addison, Juwon Tyrel Perry, Jerica Exum and Shantina Lynet. (Michael Brosilow)

“The Gospel at Colonus” is based on “Oedipus at Colonus,” Sophocles’ 2,500-year-old play about an aging king who seeks redemption after a life of sin. The revival just opened at Court Theatre in Hyde Park.

Celeste Williams, Eric Gerard and TayLar in Court Theatre’s production of “Arsenic and Old Lace.” (Credit: Michael Brosilow)

Court Theatre has opened its 2022-23 season with “Arsenic and Old Lace,” Joseph Kesselring’s maniacally zany 1941 Broadway hit that is probably most widely known by way of its 1944 film version starring Cary Grant and Boris Karloff.

(Credit: University of Chicago Special Collections Research Center)

Each year, the Tony Awards give special recognition to only one local theater in the U.S. Court Theater has just become the sixth theater in Chicago to win the Tony Award for Best Regional Theater. 

Joseph Primes, Alfred H. Wilson, A.C. Smith, Jerod Haynes and Kierra Bunch in the Court Theatre’s production of “Two Trains Running.” (Credit: Michael Brosilow)

“Two Trains Running” is one of the finest plays in August Wilson’s renowned 10-play “Century Cycle” that captures elements of Black life in each decade of the 20th century. And Court Theatre’s latest revival of this seminal work is not to be missed.

Left: Cassidy Slaughter-Mason and Sean Parris in “How a Boy Falls.” Right: Kate Fry and Allen Gilmore in “The Mousetrap.” (Photos by Michael Brosilow)

Agatha Christie’s play, “The Mousetrap,” is now receiving a wonderfully entertaining revival at Court Theatre, while Northlight Theatre is presenting the world premiere of Steven Dietz’s “How a Boy Falls,” a compelling whodunit with very dark overtones.

Nondumiso Tembe in “Lindiwe,” left, Kelvin Roston Jr. in “Oedipus Rex,” center, and Christina Hall in “Always … Patsy Cline.” (Photos by Michael Brosilow)

It would be all but impossible to survey the many great, good and sometimes disappointing productions of the past 12 months. But three recent shows suggest the great variety of work produced in Chicago – and the immense amount of talent here.

The cast of “The Adventures of Augie March.” (Photo by Michael Brosilow)

Labeling a work of art a “masterpiece” is a dangerous business, but on rare occasions there can be no doubt that such a tag is unavoidable. This is one such case.

AnJi White in Court Theatre’s production of “For Colored Girls Who Have Considered Suicide/When the Rainbow Was Enuf.” (Photo by Michael Brosilow)

In this electrifying revival directed by Seret Scott, Ntozake Shange’s groundbreaking work has never been so sharply defined in terms of character, language and overall narrative drive.

Chaon Cross plays Dr. Rosalind Franklin in Anna Ziegler’s “Photograph 51” at Court Theatre. (Photo by Michael Brosilow)

Anna Ziegler’s play, now in a biting, emotionally vivid production at Court Theatre, shines a light on the visionary chemist who was crucial to the momentous scientific paper explaining the molecular structure of DNA.

The cast of “The Steadfast Tin Soldier” at Lookingglass Theatre. (Photo by Liz Lauren)

From monsters and novelists to a depressed construction foreman in Belarus, the Chicago theater scene is as varied as ever. Hedy Weiss joins us with reviews and recommendations.

Sarah Fornace in “Frankenstein” by Manual Cinema at Court Theatre. (Photo by Michael Brosilow)

This wildly imaginative version of Mary Shelley’s classic is at once handmade and high-tech, and as you take your seat at Court Theatre, you immediately sense that something completely out of the ordinary is about to unfold.

Allen Gilmore, left, and James Vincent Meredith in “Radio Golf” at Court Theatre. (Photo by Michael Brosilow)

A revelatory, brilliantly acted revival of August Wilson’s play is currently on stage at Court Theatre, under the direction of Ron OJ Parson.

Edward Gero and Jade Wheeler in “The Originalist” at Court Theatre. (Photo by Gary W Sweetman)

It’s a good bet that no one seeing “The Originalist” will undergo a major shift in their opinions, but they certainly will be reminded of how the Supreme Court’s polarization reflects the temper of the current moment in politics.

Bryce Gangel, Michael Aaron Pogue in “Guess Who’s Coming to Dinner” through April 15, 2018 at Court Theatre. (Credit: Michael Brosilow)

I confess I was wary about how this story would hold up a full half-century after the film dealt with some very uncomfortable truths. But the more things have changed, the more things have remained (almost) the same.

Saul Bellow (Photo: John Vail / Special Collections Research Center, University of Chicago Library)

Court Theatre’s newly announced 2018-2019 season includes a world premiere stage adaptation of Saul Bellow’s “The Adventures of Augie March” by Pulitzer Prize-winning playwright David Auburn (“Proof”).

Kamal Angelo Bolden, Thomas J. Cox in a scene from "Man in the Ring." (Michael Brosilow / Court Theatre)

The story behind a new stage adaptation of an infamous–and fatal–boxing match that was televised in the 1960s.