Agatha Christie’s play, “The Mousetrap,” is now receiving a wonderfully entertaining revival at Court Theatre, while Northlight Theatre is presenting the world premiere of Steven Dietz’s “How a Boy Falls,” a compelling whodunit with very dark overtones.
It would be all but impossible to survey the many great, good and sometimes disappointing productions of the past 12 months. But three recent shows suggest the great variety of work produced in Chicago – and the immense amount of talent here.
Labeling a work of art a “masterpiece” is a dangerous business, but on rare occasions there can be no doubt that such a tag is unavoidable. This is one such case.
In this electrifying revival directed by Seret Scott, Ntozake Shange’s groundbreaking work has never been so sharply defined in terms of character, language and overall narrative drive.
Anna Ziegler’s play, now in a biting, emotionally vivid production at Court Theatre, shines a light on the visionary chemist who was crucial to the momentous scientific paper explaining the molecular structure of DNA.
This wildly imaginative version of Mary Shelley’s classic is at once handmade and high-tech, and as you take your seat at Court Theatre, you immediately sense that something completely out of the ordinary is about to unfold.
A revelatory, brilliantly acted revival of August Wilson’s play is currently on stage at Court Theatre, under the direction of Ron OJ Parson.
It’s a good bet that no one seeing “The Originalist” will undergo a major shift in their opinions, but they certainly will be reminded of how the Supreme Court’s polarization reflects the temper of the current moment in politics.
I confess I was wary about how this story would hold up a full half-century after the film dealt with some very uncomfortable truths. But the more things have changed, the more things have remained (almost) the same.
Court Theatre’s newly announced 2018-2019 season includes a world premiere stage adaptation of Saul Bellow’s “The Adventures of Augie March” by Pulitzer Prize-winning playwright David Auburn (“Proof”).
The story behind a new stage adaptation of an infamous–and fatal–boxing match that was televised in the 1960s.
Chicago Sun-Times Theater Critic Hedy Weiss joins us to review shows currently on Chicago area stages, including Other People’s Money by Shattered Globe Theatre at Theater Wit, The Mountaintop at Court Theatre, and In the Heights at The Paramount Theatre. For our online audience, Weiss will also review A Raisin in the Sun at TimeLine Theatre. Learn more about the plays, and watch Hedy's web extra video review.