In 90 uninterrupted minutes of altogether irresistible satire, Robert Dubac – an actor, writer, comedian and grand master of sleight-of-hand (and mind) – ingeniously nails the current regrettable state of the nation and the world at large.
Broadway in Chicago
The show is full of exuberant dancing and performances by strong actor-singers, but the crucial intimacy of its storytelling too often gets lost in the carnival atmosphere that has been generated to give this 90-minute gem a Broadway gloss.
If you were to consider the dominant feelings expressed by the adolescent girls in these two shows, the obvious conclusion would be that for all the talk, the feminist movement of the past five decades has failed to reach a whole generation or two of girls.
Listening to the richly faithful performances by Taylor Bloom and Ben Cooley was in many ways like stepping into a time machine. As I left the theater awash in memories, I wondered whether Simon and Garfunkel have seen the show in which they are so winningly captured.
Just over three years ago, Chicago audiences were introduced to the smash hit musical “Hamilton.” We catch up with two original cast members of the Chicago production.
J.T. Rogers’ superbly crafted, whip-smart, at times fancifully (and farcically) imagined 2017 Tony Award-winning play captures the efforts of a Norwegian husband-and-wife team to forge a peace process between the Israeli government and the PLO.
Expect no flashy spectacle, lavish dance numbers or any of the other standard ingredients of Broadway musicals. But be assured that “The Band’s Visit” – now making a brief stop at the Cadillac Palace Theatre as part of its national tour – comes with its very own unique magic.
Three very different productions that recently opened on Chicago stages serve as a powerful reminder of the dramatically varied ways in which the language of dance can be spoken.
Here is the looming question: How could three great talents (Stephen Flaherty, Lynn Ahrens and Terrence McNally) go so completely wrong with this Broadway musical “inspired by” the 1997 animated musical film?
This unapologetically old-fashioned coming-of-age story – with a creative team that includes Chazz Palminteri, Alan Menken, Robert De Niro and Jerry Zaks – is a poignant and insightful look at the complex relationship between fathers (whether real or “surrogate”) and sons.
Lift a glass and make a toast to the musical and verbal talents of some Emerald Islanders who have arrived on the shores of Lake Michigan for brief stays.
Decades after it premiered in London, the mega-musical “Miss Saigon” is still captivating audiences around the world. Meet three of the stars from the new touring production.
The enduring 1964 hit with an impossibly catchy score fervently champions the quest for love, adventure, mischief and the all-important joy (and necessity) of seizing the day.
For all its timely social commentary, “Tootsie” (a gently updated musical version of the hit 1982 film) feels a bit like show business balm – a feel good work for the #MeToo era.
Too often this Elvis Presley-focused prequel to “Million Dollar Quartet” homes in on material that might have been cut from that earlier show. But on the plus side, it infuses the story with much that was omitted from “Quartet.”