“Signed, Sealed, Delivered: A Stevie Wonder Experience” is driven by an impressive performance from singer, actor and pianist John-Mark McGaha. The show captures the sound and sensibility of Wonder while interweaving aspects of his personal life.
The production is set in a South Philadelphia bar in March, 1959 — about five months before Billie Holiday died of drug and alcohol abuse at the age of 44. And the Mercury Theater’s intimate Venus Cabaret space serves as an ideal backdrop.
It’s a classic story that has withstood the test of time, now, the Mercury Theater is bringing that story to its stage in a new musical adaptation.
Reneisha Jenkins’ direction, along with the wonderfully playful, hip-swiveling choreography of Christopher Chase Carter and the impeccable music direction of keyboardist Diana Lawrence, has infused the show with genuine emotional heat as well as laugh-generating irreverence and comic sparkle.
And: Composer Alan Menken charms Auditorium audience
Alan Menken performs his delightful one-man show to a packed house in the Loop as his first hit musical, “Little Shop of Horrors,” receives a terrific production on the North Side.
Mercury Theater’s ‘Avenue Q’ Revival Taps Into Irresistibly Funny Truthiness of Life’s Disappointments
The surprising thing about “Avenue Q” is just how wise, witty, open-minded and openly devoid of by-the-book political correctness it manages to be.
Looking for the best way to spend a sultry pre-summer evening aside from taste-testing the latest flavor of gelato? Easy. Catch a musical.
You will catch only a brief glimpse of the big explosion of hair, but in “Bunny Bunny” at Mercury Theater Chicago you will fully feel the manic energy and rapid-fire comic responses of Gilda Radner.