The infrequently revived 1948 musical gem boasts a brilliant score by Cole Porter of nearly 20 knockout songs, almost all of which are classics. It’s a wonderfully clever play-within-a-play book by Sam and Bella Spewack that owes a deep debt of gratitude to that guy by the name of William Shakespeare.
Marriott Theatre
Nov 25, 2021 |
Jul 8, 2019 |
It might not be a Broadway-style blockbuster, but this intimate musical very skillfully mixes romantic comedy tropes with an uncompromising look at self-destructive behavior, self-doubt, alcoholism and complex friendships.
Apr 18, 2019 |
Three very different productions that recently opened on Chicago stages serve as a powerful reminder of the dramatically varied ways in which the language of dance can be spoken.
Nov 20, 2018 |
From monsters and novelists to a depressed construction foreman in Belarus, the Chicago theater scene is as varied as ever. Hedy Weiss joins us with reviews and recommendations.
Nov 16, 2018 |
The recent Broadway musical based on the hit 1942 film is an old-fashioned charmer on every level, with just enough of a sardonic bite to make it feel fresh, and just enough nostalgia to pierce your heart.
Sep 17, 2018 |
They are set in different eras, and come with notably different sounds and story lines, but the three musicals now being produced on local stages share one major theme. Here’s a closer look.
Jul 17, 2018 |
The real question at the heart of this 95-minute, music-infused marathon of a farce – which features two actors playing 13 characters and frequently sharing time at a piano – is whether the performers themselves will make it out alive.
May 2, 2018 |
There seems to be an unofficial renaissance of Rodgers and Hammerstein musicals by way of three classics from the 1940s. Is this mere coincidence, or a a much-needed balm?
Aug 31, 2011 |
Hedy Weiss devours the latest version of Sweeney Todd to hit Chicago. She reviews that and three more shows.
