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Eliza Stoughton and Mark Ulrich in “Howards End,” left, and Emma Brayndick and Miles Borchard “Sons and Lovers.” (Photos by Michael Courier, left, and Lisa Lennington)

Two groundbreaking novels – E.M. Forster’s “Howards End” and D. H. Lawrence’s “Sons and Lovers” – are currently receiving world premiere productions on Chicago stages. And despite their creation more than a century ago, they remain exceptionally timely.

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Bryce Gangel in “Bloomsday,” presented by Remy Bumppo Theatre Company. (Photo by Michael Courier)

Steven Dietz’s hauntingly beautiful play is inspired by James Joyce’s groundbreaking novel “Ulysses,” but it is no stage adaptation. Rather, it’s a gorgeous, exquisitely imagined contemporary riff on Joyce’s essential themes.

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David Darlow in “The Father” (Photo by Michael Courier)

The harrowing realism of “The Father” finesses a remarkable feat of imagination that makes the audience experience the same disorientation, confusion and anger that accompany the protagonist’s own loss of clarity and memory. 

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Hedy Weiss

It's being praised as one of the best performances currently on stage in Chicago. Hedy Weiss reviews Larry Yando in Angels in America and three more shows.

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