After 15 months of dark theaters and livestreamed performances, two of Chicago’s most famous performing arts companies announce they are returning to the stage for live performances — this time under one roof.
This world premiere, feverishly choreographed by Nicolas Blanc and performed by 15 of the company’s emotionally fiery dancers, is a work of such beauty and dynamic intensity that it can and should easily endure as part of the standard ballet rep for years to come.
Two thrillingly dramatic works — one by way of dance and another by way of radio theater — now serve as vivid evocations marking the one-year “anniversary” of the pandemic, and all the physical and psychological dislocations it has engendered.
This fall was to mark the Joffrey’s first season in its new home on the Lyric Opera stage after many years of residence at the Auditorium Theatre.
How the Chicago performing arts community is preparing for the uncertainty of the spring season.
A coming change of venue for the Joffrey Ballet is a major shift, and its initial opening season will be of great importance, especially since it also will mark the 25th anniversary of the Joffrey as a formidable Chicago cultural institution.
Throughout its history, the Joffrey Ballet’s dancers have been renowned for their ability to create characters as well as to put their superb technical skills to work. They also are capable of carrying over their acting ability to contemporary “plotless” works.
This highly original reimagining of the classic holiday tale is a monumental production both in its storytelling and its design, yet it manages to beautifully interweave its grand scale elements with human scale emotions.
British choreographer Cathy Marston’s enthralling production of “Jane Eyre,” is now being performed with stellar artistry and deep emotional insight by the Joffrey Ballet even though not a single word is spoken throughout the performance.
In “Jane Eyre,” Cathy Marston said she creates movement based on quotes taken directly from Charlotte Bronte’s 19th century novel.
The venerable Chicago dance company got a creative boost from across the pond for the closing show of its season. Meet the Brit who made his own Britney Spears video and is now working with the Joffrey Ballet.
From the performers’ dazzling technical skill and emotional conviction to the sophistication and complexity of each choreographer’s work, this program of four world premiere works was remarkable on many levels.
This haunting, visually fascinating interpretation of Leo Tolstoy’s massive 1877 novel serves as the latest evidence of the unique ability of the Joffrey to turn dance into riveting, multi-dimensional theater.
For the first time in its history, the Joffrey Ballet cues up an entirely new score for its daring new production. We get a peek at the company’s creative process – and personalities.
Now in its third season, the Joffrey Ballet’s radiant and altogether ingenious production of choreographer Christopher Wheeldon’s Chicago-themed reinvention of “The Nutcracker” is more luminous than ever.
It has been four years since the Joffrey Ballet first performed Christopher Wheeldon’s reimagining of “Swan Lake.” Its current revival serves as a vivid indication of the extraordinary artistry that now defines the Joffrey, from principal dancers to corps.