The North American Tour of “Come From Away” (Credit: Matthew Murphy)

“Come From Away” is the altogether brilliant musical based on the spirit-raising effort finessed by a small community in Newfoundland, Canada in the wake of the shocking terrorist attacks perpetrated on the morning of Sept. 11, 2001. 

John Leguizamo in “Latin History for Morons.” (Photo by Matthew Murphy)

There is no denying the ferocity of John Leguizamo’s tragicomic jeremiad, his bravura gifts as a terrific physical performer, or his ability to improvise in “Latin History for Morons.”

Hit Broadway musical “Come From Away” runs through Aug. 18 at the Cadillac Palace Theatre. (Photo Credit: Matthew Murphy)

The big surprise in this hit Broadway musical is how the seemingly most unlikely material for a musical – the aftermath of the Sept. 11, 2001, terror attacks – ends up feeling as if it were custom-made for the form and turns great darkness into a healing light.

"Fiddler on the Roof" ©2018 Joan Marcus

The eternal themes that drive “Fiddler on the Roof” made it an instant classic, but the new touring production featuring contemporary additions makes the show feel uneven.

(Photo by Matthew Murphy)

The new touring production of the epic show could not be more elaborate, but it trades more in shock value than pathos, and loses something in the process.

A unique building was one of several Chicago landmarks featured in a 1950 film. The movie starred a young actor who later became a screen legend. Geoffrey Baer has more in this week's edition of Ask Geoffrey.

The original music makers of Mary Poppins tell us how the movie was re-imagined for the Broadway stage.