Stories by hedy weiss

Pianist Yefim Bronfman performed galvanic renderings of Beethoven and an immensely challenging modernist work at his Sunday afternoon Orchestra Hall performance. 

Arriving at the very moment the Supreme Court appear to be poised to overturn the Roe v. Wade decision of a half-century ago, this haunting musical is infused with an intensity and a cry for help in the very midst of a retroactive movement.

An exploration of a little-known and fascinating aspect of Black history, “Quamino’s Map” features an exquisite score by Errollyn Wallen, an expertly crafted, character-defining libretto by Deborah Brevoort, an ideal cast under the deft direction of Kimille Howard, and a superb orchestra led by conductor Jeri Lynne Johnson.

Some people understandably roll their eyes at the very thought of seeing "The Sound of Music" again. But Marriott’s production’s naturalistic yet fully theatrical quality, along with its subtle sense of dramatic rhythm, creates a level of profound emotion that too often is lost in revivals of this show.

Fans of the groundbreaking musical “Hamilton” will forever know Renee Elise Goldsberry as Angelica Schuyler, Alexander Hamilton’s sister-in-law. Her one-night only performance at Chicago’s Auditorium Theatre on Saturday captured the full power of her clarion voice and dramatic flair, as well as her formidable versatility.

“Die Kathrin” is now receiving its American premiere as part of the ten-day multi-faceted Korngold Festival that concludes on April 10. It is being presented as part of a collaboration between the University of Chicago and Chicago’s Folks Operetta company designed to explore the life and work of Erich Wolfgang Korngold.

The new Visceral Dance Center is an ultra-modern, elegant, rectangular structure in tones of gray and black with six state-of-the-art studios. A stunningly performed program by Visceral Dance Theater is now inaugurating the building’s Ann Barzel Theater. This mightily impressive contemporary dance company deserves just such a home.

Based on the 2014 memoir by New York Times columnist Charles M. Blow, the opera’s title is drawn directly from the biblical story of Jeremiah, the severely persecuted “weeping prophet” known for his tender heart. But it is a deeply personal and contemporary story.

There is more than a touch of genius on display in the American Blues Theater’s production of “Stand Up If You’re Here Tonight.” The conceptual magic of the work is enhanced by a tour de force performance. 

A brutal despot is the force behind much of the tragedy that unfolds in “Tosca.” The opera — with a libretto by Luigi Illica and Giuseppe Giacosa — is at once a love story, and the tale of artists who are destroyed by the twisted power broker who drives them to death. 

“King James” by Rajiv Joseph receives a terrific world premiere by Steppenwolf Theatre. The play follows a friendship over a decade that began over a shared love for LeBron James and the Cleveland Cavaliers.