The Joffrey Ballet’s latest production is John Steinbeck’s ‘Of Mice and Men.” It’s a story that ends in tragedy — but the artists hope to highlight something else in their rendition.
“Fire Shut Up In My Bones” is based on a memoir by longtime New York Times columnist Charles M. Blow. Composed by Terence Blanchard, the story explores how Blow works to heal from traumatic incidents of abuse in his childhood.
Based on the 2014 memoir by New York Times columnist Charles M. Blow, the opera’s title is drawn directly from the biblical story of Jeremiah, the severely persecuted “weeping prophet” known for his tender heart. But it is a deeply personal and contemporary story.
A brutal despot is the force behind much of the tragedy that unfolds in “Tosca.” The opera — with a libretto by Luigi Illica and Giuseppe Giacosa — is at once a love story, and the tale of artists who are destroyed by the twisted power broker who drives them to death.
“Florencia en el Amazonas” (“Florencia in the Amazon”), the first Spanish language opera to be performed on the Lyric Opera mainstage, is pure magic on every count.
Gaetano Donizetti’s beguiling romantic comedy is a delightful and winningly insightful tale of true love, money, egotism, self-doubt, wishful thinking and charlatanism. And, to top it all off, it comes with a happy ending.
The Lyric Opera production of Giuseppe Verdi’s “Macbeth” — which marks both the ongoing pandemic-era reopening of the company’s renovated 3,200-seat theater, and the official start of Enrique Mazzola’s tenure as the company’s music director — is no standard witches’ brew.
After 15 months of dark theaters and livestreamed performances, two of Chicago’s most famous performing arts companies announce they are returning to the stage for live performances — this time under one roof.
With most traditional theater spaces off-limits and Zoom an increasingly annoying way to have to watch anything, two Chicago opera companies have demonstrated in radically different ways that “all the world is a stage” — or can be turned into one.
“Sole e Amore,” Enrique Mazzola’s newest project, will include two dozen songs by seven of the most beloved Italian opera composers of the 19th century, performed by 11 members of the Ryan Opera Center, Lyric’s renowned artist development program.
Lyric Opera of Chicago has plans for a virtual concert Sunday unlike anything it has done before: a Spanish-language concert. We meet some of the artists involved with the premiere of “Pasión Latina.”
The coronavirus has shuttered concert venues around the world, but that hasn’t stopped artists and musicians from finding new ways to share their work. Soprano Renee Fleming tells us about Lyric’s upcoming concert.
This fall was to mark the Joffrey’s first season in its new home on the Lyric Opera stage after many years of residence at the Auditorium Theatre.
Lyric’s canceled productions of “42nd Street” and “Blue” are now slated to run in 2022 and 2021, respectively. Meanwhile, the Chicago Symphony Orchestra is partnering with WFMT on a series beginning next week.
How the Chicago performing arts community is preparing for the uncertainty of the spring season.
The formidable full schedule will feature 10 major productions, eight of which will be “new to Chicago.” The season also will mark the grand finale of Sir Andrew Davis’ tenure as music director of the Lyric Opera.