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Krystal Ortiz and Matt Fletcher in Griffin Theatre Company’s production of “For Services Rendered.” (Photo by Michael Brosilow)

In some ways, “For Services Rendered” is an old-fashioned play, but it is a beauty. And coming at a moment when Britain is undergoing a different sort of social and economic upheaval, it seems ideally timed for a revival.

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Tarell Alvin McCraney in Steppenwolf’s world premiere production of “Ms. Blakk for President,” co-written by ensemble members Tina Landau and McCraney. (Photo by Michael Brosilow)

This unabashedly flamboyant fantasia by Tina Landau and Tarell Alvin McCraney spins the true story of Joan Jett Blakk, who helped found the Chicago branch of the Queer Nation Party and ran for Chicago mayor in 1991.

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Barbara E. Robertson, center, with, from left, Max J. Cervantes, Neala Barron, Liz Chidester, Hannah Starr, Liz Bollar and Maryam Abdi in Firebrand Theatre’s Chicago premiere of “Queen of the Mist.” (Photo by Michael Brosilow)

“There Is Greatness In Me” is the defining song in this riveting musical that releases the full “greatness” in its lead character by way of an electrifying performance by veteran Chicago actress Barbara E. Robertson. 

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Anna Uzele, center, performs “I Don’t Need Your Love” in “Six” at Chicago Shakespeare Theater. (Photo by Liz Lauren)

From the wives of Henry VIII to Frankenstein’s monster, there is plenty to see on local stages right now. Theater critic Hedy Weiss shares her take on five shows currently on stage.

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Lookingglass Theatre Company Artistic Associate Walter Briggs, left, and Keith Gallagher in “Frankenstein.” (Photo by Liz Lauren)

The 200th anniversary of “Frankenstein” was celebrated by a slew of Chicago theaters last year. Lookingglass’ new production has arrived a bit late in the game, but with its raw beauty and feverish emotion, it turns out to be well worth the wait.

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From left: Abby Mueller, Samantha Pauly, Adrianna Hicks, Andrea Macasaet, Brittney Mack and Anna Uzele in “Six” at Chicago Shakespeare Theatre. (Photo by Liz Lauren)

Forget about spending your last dime for tickets to The Rolling Stones’ concerts at Soldier Field next month. Instead, check out the fire-breathing female royalty of this sensational musical at Chicago Shakespeare Theater.

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Bryce Gangel in “Bloomsday,” presented by Remy Bumppo Theatre Company. (Photo by Michael Courier)

Steven Dietz’s hauntingly beautiful play is inspired by James Joyce’s groundbreaking novel “Ulysses,” but it is no stage adaptation. Rather, it’s a gorgeous, exquisitely imagined contemporary riff on Joyce’s essential themes.

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The cast of “The Adventures of Augie March.” (Photo by Michael Brosilow)

Labeling a work of art a “masterpiece” is a dangerous business, but on rare occasions there can be no doubt that such a tag is unavoidable. This is one such case.

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David Schlumpf and Keely Vasquez in “Next to Normal” at Writers Theatre. (Photo credit: Michael Brosilow)

This 2008 musical is unsettling, irritating, frustrating, relentless and more. But director David Cromer and his actors have tapped into the dark charm and moments of humor in the show with great skill.

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(Joan Marcus / Broadway in Chicago)

Producers made the announcement Thursday, saying the production playing at downtown Chicago’s CIBC Theatre would close Jan. 5, 2020. 

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Margaret Trudeau and Adam Strauss (Credit: Kirsten Miccoli, left, Michael Courier)

In what is clearly a case of pure happenstance, two autobiographical solo shows about mental illness recently arrived on Chicago stages. A look at “Certain Woman of an Age” and “The Mushroom Cure.”

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Dylis Croman in “Chicago, The Musical,” left, and George Abud and Sydney Shepherd in “August Rush: The Musical.” (Credit: Jeremy Daniel, left, Liz Lauren)

“Chicago, The Musical” holds the record as the longest-running American musical in Broadway history – and it’s a keeper. “August Rush: The Musical” is a New York-bred “tryout” production, and it just doesn’t work.

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Amanda Castro, left, and Mikaela Bennett appear on “Chicago Tonight” on Wednesday, May 8, 2019.

Three cast members from Lyric Opera’s “West Side Story” join us in conversation and performance. 

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Mikaela Bennett “West Side Story” at Lyric Opera of Chicago. (Photo credit: Todd Rosenberg)

This electrifying revival demonstrates how, without straining to “modernize” or rework the 1957 Broadway musical – but by maintaining total respect for its vintage truth and beauty – its enduring power can be fully released.

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Janet Ulrich Brooks and Yasen Peyankov in Steppenwolf’s Chicago premiere production of “The Children” by Lucy Kirkwood. (Photo by Michael Brosilow)

Now receiving its Chicago premiere by Steppenwolf Theatre, British playwright Lucy Kirkwood’s quirky tragicomedy tackles aging, sexual competition, parenting and the catastrophic result of certain scientific and engineering “advances.”

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Andrew Bidlack (Greenhorn) and Vince Wallace (Queequeg) in the play “Moby-Dick.” (Photo by Michael Brosilow)

Transforming Herman Melville’s 1851 classic is no easy feat. This opera not only captures the pivotal characters in the novel, but also illuminates its major themes with impressive emotional directness.