Lauren Yee thrillingly fuses her writing with music that links two cultures and two eras in the richly theatrical “Cambodian Rock Band.”
Three very different productions that recently opened on Chicago stages serve as a powerful reminder of the dramatically varied ways in which the language of dance can be spoken.
Rock ‘n’ roll and human survival go hand-in-hand in a new production at Victory Gardens Theater. We meet some of the creative team behind the show.
Prepare to head home from “Djembe!” – the irresistibly engaging interactive music show now at the Apollo Theater – with callouses on the palms of your hands and a giant grin on your face.
“The Absolute Brightness of Leonard Pelkey” is a wildly creative story about a familiar message brought to life by Chicago actor Joe Foust’s effortless storytelling skills, comic sensibility and emotional range.
This edgy new play by Sharyn Rothstein, making its world premiere at Northlight Theatre, deals with the most primal human needs – for shelter, security, a sense of self-worth and love.
And: Composer Alan Menken charms Auditorium audience
Alan Menken performs his delightful one-man show to a packed house in the Loop as his first hit musical, “Little Shop of Horrors,” receives a terrific production on the North Side.
Here is the looming question: How could three great talents (Stephen Flaherty, Lynn Ahrens and Terrence McNally) go so completely wrong with this Broadway musical “inspired by” the 1997 animated musical film?
In this electrifying revival directed by Seret Scott, Ntozake Shange’s groundbreaking work has never been so sharply defined in terms of character, language and overall narrative drive.
For years now, Jackie Taylor has reminded Black Ensemble audiences that “going to the theater is like to going to church.” In her latest production, this sentiment takes on a decidedly literal meaning.
This unapologetically old-fashioned coming-of-age story – with a creative team that includes Chazz Palminteri, Alan Menken, Robert De Niro and Jerry Zaks – is a poignant and insightful look at the complex relationship between fathers (whether real or “surrogate”) and sons.
Lift a glass and make a toast to the musical and verbal talents of some Emerald Islanders who have arrived on the shores of Lake Michigan for brief stays.
This is one of those productions that makes you wish the show’s composer and writer would make a quick trip to Chicago to see their work in what might just be its ideal incarnation.
She is the latest pop star to throw her fedora onto the stage. The show “Once Upon a One More Time” will have its world premiere this fall in Chicago, with previews beginning in October.
British director Richard Jones has attempted to yank Handel’s rarely mounted Baroque opera into a more modern era by devising a wholly gratuitous, meaningless and needlessly coarse vision of the work. I just didn’t buy it.