How do you design a pandemic-era theater season? The Glencoe-based theater has devised a multifaceted plan that combines a degree of certainty with the option of built-in flexibility, with the ultimate goal of keeping live theater alive.
Amid all the dire warnings that live performances might not start up again until 2021, the news that the richly creative company plans to begin its three-production season in November comes as an enormous spirit-raiser.
It’s said laughter is the best medicine, and while that might not be part of the CDC’s official guidelines, comedians everywhere are reaching out to audiences online, hoping for some connection and a lot of laughter.
With all the uncertainty facing theaters and their audiences, the Goodman Theatre is postponing the four productions remaining in its current spring and summer 2020 season, and will announce additional shows for the coming season at a later date.
The pandemic has put a record number of people out of work. How are artists making ends meet, and what are the city’s arts groups doing to survive the stay-at-home order and the economic downturn?
The decision to cancel the season was made with the “health and safety of the festival’s artists, staff and neighbors,” in mind, Ravinia’s President and CEO Welz Kauffman said in a statement.
With 10 nominations, Griffin Theatre led the pack on a list that serves as a vivid reminder of the exuberance of pre-pandemic times on Chicago stages. But it suggests what has been lost, too.
The burly actor who started in films as a macho heavy and later in his career won plaudits for his stage work in plays by William Shakespeare, Anton Chekhov, Eugene O’Neill and Arthur Miller, died last week at age 81.
The city had declared 2020 as Chicago’s “year of music.” Now with live music all but shut down, we’ve been talking with artists who were set to share their sounds before the coronavirus outbreak – including Donald Lawrence and the Tri-City Singers.
As you work through your list of at-home entertainment options, don’t forget to consider a night of theater. Chicago’s Theater Wit is now livestreaming the play “Teenage Dick.” Here’s how it works.
Lyric’s canceled productions of “42nd Street” and “Blue” are now slated to run in 2022 and 2021, respectively. Meanwhile, the Chicago Symphony Orchestra is partnering with WFMT on a series beginning next week.
Some businesses deemed essential are staying open as Gov. J.B. Pritzker orders residents across the state to stay home and help prevent spread of the novel coronavirus. But how are mom-and-pop operations weathering the storm?
Because Chicago is the storefront theater capital of this country, it’s worth looking at the situation now facing some of these small companies and how they are trying to deal with the global pandemic.
Lookingglass Theatre’s dazzlingly performed world premiere production is a theatrical and sociological gem of a work that should catapult its writer-director, ensemble member J. Nicole Brooks, to genuine fame.
On stage at Lookingglass Theatre, a new play looks at a Chicago moment from March 1981 when Jane Byrne, the city’s first woman mayor, moved into the Cabrini-Green housing project.
When it comes to revivals of Henrik Ibsen’s plays in this era of neo-feminism, “A Doll’s House” attracts the most attention. But it is the title character in “Hedda Gabler” who takes the cake. And in this new production, she has never been more compelling and convincing.