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Lauren Demerath in TUTA Theatre’s world premiere adaptation of “Hedda Gabler: A Play with Live Music.” (Photo by Austin D. Oie)

When it comes to revivals of Henrik Ibsen’s plays in this era of neo-feminism, “A Doll’s House” attracts the most attention. But it is the title character in “Hedda Gabler” who takes the cake. And in this new production, she has never been more compelling and convincing.

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Robert Dubac in “The Book of Moron.” (Courtesy of Broadway in Chicago)

In 90 uninterrupted minutes of altogether irresistible satire, Robert Dubac – an actor, writer, comedian and grand master of sleight-of-hand (and mind) – ingeniously nails the current regrettable state of the nation and the world at large.

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The Chicago band Verboten in the 1980s. (Courtesy of Jason Narducy)

A new rock musical from the House Theatre of Chicago tells the incredible story of a teenage punk band from Evanston. We meet the cast of “Verboten” and an original member of the band.

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David Goodloe, center, with Lewon Johns, back left, and Michael Turrentine in Griffin Theatre Company’s Midwest premiere of “Mlima’s Tale.” (Photo by Michael Brosilow)

Lynn Nottage’s 2018 play about the savage slaughter and potential decimation of Africa’s “big tusk” elephant population, and the illicit trade in ivory that drives it, is a stunning piece of work – equal parts poetry, ritual and an anatomy of corruption.

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Liv Warfield, left, and Alseny Sylla are new cast members of the Teatro ZinZanni show “Love, Chaos and Dinner.” (WTTW News)

Circus arts, comedy and cabaret come together at Teatro ZinZanni. Six months into its run, the show has completely juggled its cast. New performers include two people with Chicago ties but very different backstories.

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An image from video of Speaker of the House Nancy Pelosi. (WTTW NEWS via C-SPAN)

Speaker of the House Nancy Pelosi was center stage in the House impeachment hearings. Now she is on stage, in a sense: a new play about Pelosi is receiving its world premiere in Chicago. We drop by an early rehearsal.

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Lora Lee Gayer and Brad Standley in Chicago Shakespeare Theater’s production of “Emma.” (Photo by Liz Lauren)

The flaws and fancies, and triumphs and comeuppances of Jane Austen’s characters continue to ring true two centuries after the publication of her books. The latest proof can be found in this utterly charming production at Chicago Shakespeare Theater. 

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“Singin’ in the Rain” (Marie-Noëlle Robert / Théâtre du Châtelet)

The formidable full schedule will feature 10 major productions, eight of which will be “new to Chicago.” The season also will mark the grand finale of Sir Andrew Davis’ tenure as music director of the Lyric Opera.

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Robert Sims and Tyrone Chambers, II in Chicago Opera Theater’s “Freedom Ride.” (Photo credit: Michael Brosilow)

In its airtight, fervent, emotionally riveting 90 minutes, “Freedom Ride” vividly captures a pivotal moment in American history and the civil rights movement of the early 1960s in the most sophisticated yet accessible way. 

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Carrie Coon and Tracy Letts talk “Bug” with WTTW News.

The revival of Tracy Letts’ 1996 play “Bug” stars his wife, Steppenwolf ensemble member Carrie Coon. We spoke to the creative team right before opening night.

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Left: Cassidy Slaughter-Mason and Sean Parris in “How a Boy Falls.” Right: Kate Fry and Allen Gilmore in “The Mousetrap.” (Photos by Michael Brosilow)

Agatha Christie’s play, “The Mousetrap,” is now receiving a wonderfully entertaining revival at Court Theatre, while Northlight Theatre is presenting the world premiere of Steven Dietz’s “How a Boy Falls,” a compelling whodunit with very dark overtones.

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From left: Chuckie Benson, Terri K. Woodall, Joey Stone, Madison Piner and Tristan Bruns in “Rockin’ in Rhythm” from “Sophisticated Ladies” by Porchlight Music Theatre. (Photo by Michael Courier)

This knockout revival could easily be airlifted onto a New York stage without a single alteration. Come and see it if you can.

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Karissa Murrell Myers, left, and Aurora Real de Asua in “Top Girls” at Remy Bumppo Theatre Company. (Photo by Michael Courier)

The winter theater season is upon us, with a blizzard of good shows to see. Chicago theater critic Hedy Weiss gives her take on “Roe,” “Top Girls,” “The Mousetrap,” “Juliet” and “Verboten.”

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Linda Gillum in “Top Girls.” (Photo by Michael Courier)

The all-female cast of Caryl Churchill’s play made a statement from the very start, and now, the eight bravura actresses in the current cast turn in a collection of blistering performances that suggest the intentional irony of using the word “girls” (rather than “women”) in the title.

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Kyle Ramar Freeman (left) as Asaka and Courtnee Carter as Ti Moune in the North American Tour of “Once On This Island.” (Photo by Joan Marcus / 2019)

The show is full of exuberant dancing and performances by strong actor-singers, but the crucial intimacy of its storytelling too often gets lost in the carnival atmosphere that has been generated to give this 90-minute gem a Broadway gloss.

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Melissa Lorraine in András Visky’s “Juliet” directed by Kevin V. Smith at Theatre Y. (Credit: Devron Enarson)

At once haunting, sad and beautiful, Andras Visky’s “Juliet” – now in production by Theatre Y – is a work of both real life and pure poetry.

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