It is not an easy production to describe, but it is fascinating to watch. “Illinoise,” now onstage at Chicago Shakespeare’s Yard Theater, is an altogether unique and extraordinarily brilliant interpretation of Sufjan Stevens’ 2005 album.
Chicago Theater
A 2024 edition of the classic four women sitcom, “Golden Girls,” has been making its way across the country, and soon they’ll be making their stop at Chicago’s Broadway Playhouse at Water Tower Place.
Jeff Award-winning director Elizabeth Margolius has interpreted and very subtly modernized the ever-remarkable musical “Fiddler on the Roof” for a new production at the Drury Lane Theatre.
Secrets and lies hide in plain sight in “Highway Patrol,” a can’t-miss mystery at the Goodman Theatre, writes WTTW News reporter Marc Vitali. It tells a true story centered around a puzzle that seems easy enough to solve. As the mystery morphs and raises new questions, it makes for a riveting evening of storytelling.
With its theme of immigrant life in the largely Latino Washington Heights neighborhood in the 1980s, this show’s uncanny relevance to the immigration controversy now underway in this country could not be more ideal, writes WTTW News theater critic Hedy Weiss.
February marks Black History Month and cultural institutions around Chicago are hosting events celebrating the city’s art and culture scene. Here are a few events you should check out.
Perhaps the most anticipated show in Chicago this winter, “Illinoise” at Chicago Shakespeare Theater promises “a new kind of musical.” Dance and stories are woven into songs written by Sufjan Stevens from his beloved 2005 album “Illinois.”
It is an absolute knockout — both literally and figuratively. And that is the most concise way to describe “Champion,” the physically, emotionally and musically stunning work now on the Lyric Opera stage, writes WTTW News theater critic Hedy Weiss.
There is something about the Cinderella story that never fails to delight. And it might just be that those with a good heart and a true understanding of love will invariably triumph over those who are greedy and hungry for social superiority, writes WTTW News theater critic Hedy Weiss.
Without a moment’s hesitation, the powers that be at Porchlight Music Theatre should invite a slew of heavyweight New York producers to Chicago to see its bravura production of “Anything Goes,” the classic 1934 Cole Porter musical. They just don’t make many musicals like this one anymore, WTTW News theater critic Hedy Weiss writes.
Lisa Ann Walter is set to appear in Rosemont later this month for a series of comedy shows. Ahead of her visit to the Chicago area, she spoke with WTTW News about what it’s been like since getting back to work with her comedic cast, and what’s in store for her upcoming comedy set.
Here in Chicago, a number of reimaginings of the classic story demonstrate how the family tradition can be transformed to fit the interests of modern audiences while also celebrating the Christmas magic that made that original ballet such a success.
Call “The Nose” the quintessential opera of the absurd. The show is receiving an elaborate Chicago Opera Theater production in a wildly zany, two-performance-only run.
“BOOP! The Musical” is clearly on its way to Broadway with an absolutely starry performance by Jasmine Amy Rogers, an actress who can sing and dance up a storm in a role that is sure to fly her into the spotlight, writes WTTW News theater critic Hedy Weiss.
WTTW News theater critic Hedy Weiss reviews recent performances from the Chicago Symphony Orchestra, the Lyric Opera and Staatskapelle Berlin.
The reimaging of the classic story, now playing at the Cadillac Palace Theater in the production’s pre-Broadway run, has a devoted set of fans stretching back decades.