Whether she is performing songs from a Broadway musical, a familiar hymn or a gospel classic, Heather Headley possesses a voice and personality that can easily mesmerize an audience. And so she did with a grand-scale performance at Ravinia Pavilion.
Hedy Weiss: Theater Reviews
With an audience approaching about 8,500 people, Maestro Riccardo Muti led the Chicago Symphony Orchestra at the “Concert for Chicago” in Millennium Park. He ended his 13-year tenure as CSO music director but will continue to conduct some performances.
Maestro Riccardo Muti chose Beethoven’s “Missa solemnis” as the work he wished to conduct to mark “the official end” of his glorious 13-year tenure as music director of the Chicago Symphony Orchestra. He has been named music director emeritus for life and will continue to lead occasional CSO performances.
The tuba may be one of the largest instruments in a symphony orchestra and an important source of the brass sound, but it is rarely celebrated in a work that puts it front and center by way of a masterful composer and musician.
Chicago’s dance scene is in high gear these days with formidable performances by ballet, modern, jazz, tap, Spanish and classical Indian companies on stages in and around the city. A case in point was this past Saturday’s one-night-only world premiere performance of “Memoirs of Jazz in the Alley” by South Chicago Dance Theatre.
If one needs any proof that calamity, whether personal and/or political, also has the power to inspire great works of art, Gustav Mahler’s “Symphony No. 9 in D Major” can easily serve as a prime example.
Two very different musicals now on stage in Chicago — a revival of “West Side Story” at Lyric Opera, and a new work, “Lucy and Charlie’s Honeymoon,” at Lookingglass Theatre — are in many ways driven by the issue of immigration.
GluzmanGuest conductor David Afkham led the Chicago Symphony Orchestra and Vadim Gluzman, the extraordinary guest violinist, in a riveting performance of Dmitri Shostakovich’s fiendishly difficult, emotionally intense “Violin Concerto No. 1 in A Minor.” Perfomances of works by Ravel and Debussy rounded out the program.
A recent Chicago Symphony Orchestra program juxtaposed works by three masterful yet radically different composers of classical music: Wolfgang Mozart, William Kraft and Ottorino Respighi.
The latest program by the Chicago Symphony Orchestra honors Robert Chen, the orchestra’s invaluable concertmaster and masterful violinist. It also features a glimpse of a rarely revived opera.
Something magical happens when Maestro Riccardo Muti arrives on the podium at Orchestra Hall to lead the invariably superb musicians of the Chicago Symphony Orchestra.
The Mercury Theater production of this show, with its tragi-comic book by William Hauptman drawn straight from the Mark Twain classic and a wonderfully varied score by country music master Roger Miller, is ideally realized on every front.
The ballet, now receiving its Chicago premiere in a grand-scale production by the Joffrey Ballet on the Lyric Opera House stage, is a strange but compelling work inspired by Hans Christian Anderson’s enduring classic and features impeccible dancing.
“The Cherry Orchard,” Anton Chekhov’s masterful play, is about change — social, historical, financial and emotional. And change is of the essence at the Goodman Theatre too, with this production marking the retirement of artistic director Robert Falls.
Violinist Joshua Bell and pianist Daniil Trifonov dazzled an Orchestra Hall audience Wednesday night, writes WTTW News theater critic Hedy Weiss. The musicians, in top form, even treated the enthusiastic crowd to two encores.
Alan Turing was a genius — a brilliant English mathematician and logician who is renowned for his invaluable work as a codebreaker during World War II. But he also was a tragic figure, driven to an early death by chemical castration (and possibly by suicide) because of his homosexuality, which during his lifetime, was treated as a crime.