Steppenwolf’s fabled 1982 production of Sam Shepard’s darkly comic tale is a foundational part of Chicago theater history. And now, two of the company’s “next generation” of actors are bringing their own high-octane intensity to the play.
This unabashedly flamboyant fantasia by Tina Landau and Tarell Alvin McCraney spins the true story of Joan Jett Blakk, who helped found the Chicago branch of the Queer Nation Party and ran for Chicago mayor in 1991.
Now receiving its Chicago premiere by Steppenwolf Theatre, British playwright Lucy Kirkwood’s quirky tragicomedy tackles aging, sexual competition, parenting and the catastrophic result of certain scientific and engineering “advances.”
Gary Sinise spoke with Chicago Tonight about his new book, “Grateful American: A Journey from Self to Service,” his work advocating for veterans and the history of Steppenwolf Theatre.
This sequel to Henrik Ibsen’s groundbreaking play – now receiving its Chicago debut at Steppenwolf Theatre – arrives at a moment when a whole new tsunami-like wave of feminist rebellion has gathered force.
Full of raw emotion, Isaac Gomez’s play, now receiving its world premiere at Steppenwolf Theatre, explores the brutal killing of hundreds of women and girls in Ciudad Juárez between 1993 and 2013.
With great bursts of raucous humor, as well as zany rom-com moments and deep anguish, playwright Danai Gurira infuses her exuberantly boisterous play with issues of family contention that go well beyond the usual disputes.
The pitch black, profoundly provocative world premiere by Bruce Norris brings to the fore all the arguments and nuances around sexual predators, and will either make you question your opinions on the subject or confirm them.
While both “Support Group for Men” and “The Roommate” rely on predictable clichés, each serves as a prime example of how absolutely first-rate actors invariably bring total devotion to mediocre scripts.
It is no secret that we live in a world of grotesque extremes. In “Guards at the Taj,” playwright Rajiv Joseph explores this phenomenon by spinning a story that contrasts the radically opposing instincts of a megalomaniacal ruler.
An intensely disciplined, fearless, altogether remarkable ensemble of sophisticated young artists brings this singular – and singularly riveting – docu-drama to life.
The actor known for his role as Dwight Schrute on NBC’s “The Office” talks about his dual roles in Matthew-Lee Erlbach’s new play “The Doppelganger.”
A sort of equal-opportunity snake pit of corruption, violence and ridiculous sex-capades, Matthew-Lee Erlbach’s play is now receiving its world premiere at Steppenwolf Theatre.
For those still unfamiliar with the magic Hershey Felder can create, an introduction to the man, whose enthralling show about Tchaikovsky is now in a limited engagement at Steppenwolf’s Upstairs Theatre, is essential.
A world premiere play by Bruce Norris, a rare return to acting by Tarell Alvin McCraney and the Chicago premieres of a recent Broadway hit by Lucas Hnath and a 2015 play by Danai Gurira – and more – are coming to Steppenwolf Theatre.
Actor John Mahoney died Sunday at the age of 77. He was best known for his role as Martin Crane in the hit series “Frasier,” but Mahoney was also a long-time ensemble member at Steppenwolf Theatre.