Steppenwolf Theatre commissioned a powerful new play receiving the strongest reviews of the summer on the Chicago stage. “Little Bear Ridge Road” stars Laurie Metcalf in her return to Steppenwolf after a 14-year absence.

Larissa FastHorse is the first Native American woman to have a play produced on Broadway. “The Thanksgiving Play” is now onstage at Steppenwolf Theatre. It’s a satire about earnest theater folks who attempt to stage a historically accurate Thanksgiving play.

“Purpose,” the new world premiere play from Branden Jacobs-Jenkins now running at Steppenwolf, is also a very specific story about a family rooted in Black American politics, featuring a Civil Rights activist, pastors and a congressman. 

A magician who once worked in casino security is doubling down on revealing the secrets behind card tricks. And there’s a catch: Everyone must sign a confidentiality contract before the show.

The play about a Black political Illinois family is brand new — so new that cast members didn’t even have a complete script when WTTW News sat down with them.

Four lost souls are the variously screwed-up men living in “No Man’s Land,” Harold Pinter’s strange, angry, status-conscious and somewhat absurdist talkathon of a play. It first opened in London in 1975 and is now on stage at Steppenwolf Theatre in a production directed by Les Waters.

Part history, part imagination, and awash in clever verbal interplay, “Describe the Night” captures the spirit of Russian author and war correspondent Isaac Babel. The play follows certain aspects of his life and times — from his romantic attachments to his tense interaction with Soviet intelligence.

 Frank Galati won twin Tonys in 1990 — best play and best director — for his adaptation and staging of Steppenwolf’s production of John Steinbeck’s “The Grapes of Wrath,” starring Gary Sinise as Tom Joad. He was also nominated for directing the 1998 celebrated musical “Ragtime.”

When the COVID-19 lockdown hit in March 2020, Chicago’s artistic productions were abruptly placed on hold. Now more than two years later, theater companies are evaluating a path forward with an audience that has new expectations. 

“I don’t come here to shame the founders (of our country), or in the case of my play, their spouses,” playwright James Ijames writes. “I come here to test the strength of their ideals.”

Chicago theater is in full bloom for the spring season with a number of new productions and a return of some classic favorites. Hedy Weiss, theater critic for WTTW News, joins “Chicago Tonight” to share her must-see recommendations. 

The world premiere play “King James” spotlights the work of two Steppenwolf Theatre ensemble members who loved basketball long before they loved theater.

“King James” by Rajiv Joseph receives a terrific world premiere by Steppenwolf Theatre. The play follows a friendship over a decade that began over a shared love for LeBron James and the Cleveland Cavaliers. 

The Steppenwolf Theatre reopens after a 20-month shutdown due to the pandemic. The 46-year-old theater celebrated its return with a ribbon cutting Tuesday for a new wing that includes a state-of-the-art stage. 

Any description of Rajiv Joseph’s mini-play — the newest entry in Steppenwolf Theatre’s NOW series of virtual programming that runs about 11 minutes — might make it sound like just a quick virtual doodle. But it is much more than that.

James Ijames’ 20-minute play marks the opening salvo in Steppenwolf Now — a series of six virtual productions designed to serve as placeholders until there is a return to live theater — a return that seems ever more elusive.