Lyric’s canceled productions of “42nd Street” and “Blue” are now slated to run in 2022 and 2021, respectively. Meanwhile, the Chicago Symphony Orchestra is partnering with WFMT on a series beginning next week.
Chicago Symphony Orchestra
Many of the concerts at Symphony Center are one-time-only events for which Orchestra Hall’s 2,500 seats are nearly sold out. But attention must be paid to the hours of remarkable music-making brought to the stage. Here are a few recent cases in point.
Chicago is home to the only training orchestra in North America. And while it’s blooming with youth, the Civic Orchestra of Chicago is turning 100 this season. We sit in on a rehearsal to hear the dynamic sound that only an orchestra can make.
What Maestro Riccardo Muti and the orchestra have made continually clear throughout this year of celebrating the 250th anniversary of Beethoven’s birth is how thrillingly modern the composer’s work can feel.
The true magnificence of Mascagni’s 1890 opera – now focused entirely on the beauty of the music and the truthfulness of the singers, and stripped of the distractions of scenery, melodramatic acting and all the rest – was a great revelation.
Ravinia Festival just announced a major new hire, and she comes with an amazing pedigree: conductor Marin Alsop was mentored by Leonard Bernstein.
Fresh off a grueling but much heralded European tour, the CSO has returned to the Symphony Center stage with Sir Andrew Davis.
Talk about ending the year with a bang. Just a few weeks before the Chicago Symphony Orchestra is to embark on a whirlwind tour of Europe, the orchestra, under the direction of guest conductor Edo de Waart, is performing an altogether thrilling program.
For the fifth year, the Chicago Symphony Orchestra presents “Merry, Merry Chicago!” a celebration of holiday music that features members of the orchestra and the Chicago Symphony Chorus.
What happens when a conductor steeped in the Italian tradition takes hold of three works by quite different 19th century German Romantic composers? The answer could be heard as Maestro Riccardo Muti led the CSO in works by Wagner, Brahms and Schumann.
Together with the brilliant musicians of the Chicago Symphony Orchestra, Maestro Riccardo Muti and violinist Leonidas Kavakos launched into an absolutely spellbinding performance of Beethoven’s “Violin Concerto in D Major.”
The Chicago Symphony Orchestra was at its rip-roaring best Friday as award-winning pianist Sunwook Kim made a simply smashing debut with the orchestra.
Young musicians and a singer from the Chicago West Community Music Center get a chance to rehearse with Maestro Riccardo Muti, music director of the Chicago Symphony Orchestra.
When thinking about Beethoven, the emphasis should not be on the fact that he was born two and a half centuries ago. Rather, it should be on the fact that his music remains uncannily timeless – vividly alive and fully connected to the moment.
Magnificent. That is the most fitting description of Thursday evening’s program at Symphony Center that marked the start of Maestro Riccardo Muti’s 10th season as music director of the Chicago Symphony Orchestra.
Rachmanioff’s “Piano Concerto No. 3” is awash in ravishing melodies and virtuosic thrills, and Denis Matsuev brought such volcanic power, exquisite lyricism and absolute fluidity to the fiendishly demanding work that it felt as if he himself were writing the demonic piece on the spot.