Violinist Joshua Bell and pianist Daniil Trifonov dazzled an Orchestra Hall audience Wednesday night, writes WTTW News theater critic Hedy Weiss. The musicians, in top form, even treated the enthusiastic crowd to two encores.
Chicago Symphony Orchestra
Artist Rachel Steele mixes sounds she recorded live on public transit and out in neighborhoods with musical instruments reflective of the city’s different cultures. Her show, "Soundpost: Remixing Transit," is on display at the Chicago Symphony Orchestra this Thursday.
A Chicago Symphony Orchestra concert featuring works from Samuel Coleridge-Taylor, Aaron Copland and Antonin Dvorak is well worth seeking out.
At a recent concert, the Chicago Symphony Orchestra played Schumann’s “Violin Concerto in D Minor” and Tchaikovsky’s fiercely dramatic “Manfred Symphony.” The beauty and dramatic energy of both works were wholly captivating, critic Hedy Weiss writes.
The Chicago Symphony Orchestra was back on the stage at Orchestra Hall on Thursday. Klaus Mäkelä, the wonderfully graceful yet powerfully dynamic 27-year-old Finnish conductor, was on the podium to lead a stunning program.
It was an evening to remember at Orchestra Hall this Thursday with sublime and exceedingly fresh performances of works by two Russian musical geniuses: Sergei Prokofiev and Sergei Rachmaninov.
Female composers of centuries past might well have been smiling from afar Friday evening as the Chicago Symphony Orchestra, led by conductor Marin Alsop, performed a program of three works by immensely gifted contemporary female composers.
Something intriguing happens when an organ is added to the usual assemblage of symphony orchestra instruments. It’s almost as if an opera singer with a notably distinctive voice has been added to the usual “cast.”
Dalia Stasevska has loved music since she was a child. She is carrying on that passion with three Chicago Symphony Orchestra performances.
The exhilarating program featured five works by two composers — bassist Xavier Foley and violinist Mark O’Connor. All were superbly performed by various combinations of the composers, plus musicians drawn from the Chicago Symphony Orchestra, and guest violinist Maggie O’Connor.
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Of course the performance of the concert’s three works, led with great elan and specificity by guest conductor Manfred Honeck, music director of the Pittsburgh Symphony, was superb. It was carried off with the kind of brilliance that only the musicians of the CSO can do.
It was an evening of sheer, unadulterated delight as the Chicago Symphony Orchestra joined forces with the Joffrey Ballet on Thursday for a pair of world premieres.
A symphonic poem of exceptional beauty by Cesar Franck. A thrilling, grand-scale performance of a masterwork by Modest Mussorgsky. And a breathtaking rendering of a Mozart piano concerto featuring a young, award-winning pianist.
What truly set Orchestra Hall on fire came in the second half of the program as Maestro Riccardo Muti, in subtle but wonderfully expressive balletic form, led an altogether blazing performance of Prokofiev’s “Symphony No. 5 in B-flat Major,” a 1944 masterwork composed at the height of World War II.
If you needed to be reminded of the glorious sound Maestro Riccardo Muti has nurtured during his 13-year tenure as music director of the Chicago Symphony Orchestra, Thursday evening’s concert, marking the start of the 2022-23 season, served as a perfect example.
This weekend marks the beginning of the end of Maestro Riccardo Muti’s tenure as music director of the Chicago Symphony Orchestra. WTTW News visited Symphony Center to hear him lead the orchestra in a rousing rehearsal of works by Tchaikovsky.
