Something truly magical (and magnificent) happens when Maestro Riccardo Muti arrives on the podium to conduct the Chicago Symphony Orchestra. The latest proof was on display in two different concerts this past Thursday and Saturday evening.
Chicago Symphony Orchestra
For the second half of its Ravinia Festival concert this past Thursday the Chicago Symphony Orchestra delivered a bravura performance of Russian composer Dmitri Shostakovich’s extraordinary “Symphony No. 5” and it couldn’t have been more timely in subtle way.
Whether she is performing songs from a Broadway musical, a familiar hymn or a gospel classic, Heather Headley possesses a voice and personality that can easily mesmerize an audience. And so she did with a grand-scale performance at Ravinia Pavilion.
With an audience approaching about 8,500 people, Maestro Riccardo Muti led the Chicago Symphony Orchestra at the “Concert for Chicago” in Millennium Park. He ended his 13-year tenure as CSO music director but will continue to conduct some performances.
Maestro Riccardo Muti chose Beethoven’s “Missa solemnis” as the work he wished to conduct to mark “the official end” of his glorious 13-year tenure as music director of the Chicago Symphony Orchestra. He has been named music director emeritus for life and will continue to lead occasional CSO performances.
Maestro Riccardo Muti, who turns 82 in July, is scheduled to conduct the CSO for six weeks in each of the next two seasons. His tenure began with the 2010-11 season.
The tuba may be one of the largest instruments in a symphony orchestra and an important source of the brass sound, but it is rarely celebrated in a work that puts it front and center by way of a masterful composer and musician.
If one needs any proof that calamity, whether personal and/or political, also has the power to inspire great works of art, Gustav Mahler’s “Symphony No. 9 in D Major” can easily serve as a prime example.
GluzmanGuest conductor David Afkham led the Chicago Symphony Orchestra and Vadim Gluzman, the extraordinary guest violinist, in a riveting performance of Dmitri Shostakovich’s fiendishly difficult, emotionally intense “Violin Concerto No. 1 in A Minor.” Perfomances of works by Ravel and Debussy rounded out the program.
A recent Chicago Symphony Orchestra program juxtaposed works by three masterful yet radically different composers of classical music: Wolfgang Mozart, William Kraft and Ottorino Respighi.
The latest program by the Chicago Symphony Orchestra honors Robert Chen, the orchestra’s invaluable concertmaster and masterful violinist. It also features a glimpse of a rarely revived opera.
Something magical happens when Maestro Riccardo Muti arrives on the podium at Orchestra Hall to lead the invariably superb musicians of the Chicago Symphony Orchestra.
Violinist Joshua Bell and pianist Daniil Trifonov dazzled an Orchestra Hall audience Wednesday night, writes WTTW News theater critic Hedy Weiss. The musicians, in top form, even treated the enthusiastic crowd to two encores.
Artist Rachel Steele mixes sounds she recorded live on public transit and out in neighborhoods with musical instruments reflective of the city’s different cultures. Her show, "Soundpost: Remixing Transit," is on display at the Chicago Symphony Orchestra this Thursday.
A Chicago Symphony Orchestra concert featuring works from Samuel Coleridge-Taylor, Aaron Copland and Antonin Dvorak is well worth seeking out.
At a recent concert, the Chicago Symphony Orchestra played Schumann’s “Violin Concerto in D Minor” and Tchaikovsky’s fiercely dramatic “Manfred Symphony.” The beauty and dramatic energy of both works were wholly captivating, critic Hedy Weiss writes.
