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From left: Scott Parkinson, Stef Tovar, David Parkes, Jed Feder and Bri Sudia in TimeLine Theatre Company’s “Oslo.” (Photo by Brett Beiner Photography)

J.T. Rogers’ superbly crafted, whip-smart, at times fancifully (and farcically) imagined 2017 Tony Award-winning play captures the efforts of a Norwegian husband-and-wife team to forge a peace process between the Israeli government and the PLO.

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From left: Rashada Dawan and Bre Jacobs with, in background, Emma Sipora Tyler, De’Jah Jervai and Roberta Burke in Firebrand Theatre and TimeLine Theatre Company’s production of “Caroline, Or Change.” (Photo by Marisa KM)

With its incendiary production, Firebrand Theatre easily secures its place among the handful of Chicago’s hottest “smaller” musical theater companies. Though there is nothing at all “small” about this formidable assemblage of talent.

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Kristen Magee (Gloria), Chris Stack (Sidney Brustein) and Grant James Varjas (David) in "The Sign in Sidney Brustein’s Window" by Lorraine Hansberry. (Courtesy of Goodman Theatre)

The Chicago Sun-Times theater critic reviews four plays that address societal challenges and conflicts, including Goodman Theatre’s revival of the rarely staged second play by “Raisin in the Sun” author Lorraine Hansberry.

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Hedy Weiss

Hedy Weiss devours the latest version of Sweeney Todd to hit Chicago.  She reviews that and three more shows.