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Joffrey Ballet artists Stefan Goncalvez and Brooke Linford. (Photo by Cheryl Mann)

A coming change of venue for the Joffrey Ballet is a major shift, and its initial opening season will be of great importance, especially since it also will mark the 25th anniversary of the Joffrey as a formidable Chicago cultural institution. 

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Joffrey Ballet artists in “Commedia.” (Photo by Cheryl Mann)

Throughout its history, the Joffrey Ballet’s dancers have been renowned for their ability to create characters as well as to put their superb technical skills to work. They also are capable of carrying over their acting ability to contemporary “plotless” works.

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Deeply Rooted Dance Theater company members perform “Parallel Lives.” (Photo by Michelle Reid)

Two questions invariably come to mind when I see Deeply Rooted Dance Theater: Why is this company not more famous? And why isn’t it championed as Chicago’s counterpart of the Alvin Ailey Dance Theater?

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Yoshihisa Arai and Amanda Assucena of the Joffrey Ballet perform Christopher Wheeldon’s Chicago-themed reinvention of “The Nutcracker.” (Photo by Cheryl Mann)

This highly original reimagining of the classic holiday tale is a monumental production both in its storytelling and its design, yet it manages to beautifully interweave its grand scale elements with human scale emotions. 

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Dancers Tracey Hodgkin-Valcy and Merrick Mitchell rehearse a duet for “Lineage: The Black Dance Legacy Project.” (WTTW News)

Eight of the city’s most prominent dance companies are coming together for a one-night-only concert this week with a single mission: to celebrate the legacy of black dance in Chicago.

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Greig Matthews and Amanda Assucena in Joffrey Ballet’s production of “Jane Eyre.” (Photo by Cheryl Mann)

British choreographer Cathy Marston’s enthralling production of “Jane Eyre,” is now being performed with stellar artistry and deep emotional insight by the Joffrey Ballet even though not a single word is spoken throughout the performance.

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In “Jane Eyre,” Cathy Marston said she creates movement based on quotes taken directly from Charlotte Bronte’s 19th century novel. 

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“Synapse” by Nick Pupillo (Photo by MREID Photography)

The City of Chicago and the League of Chicago Theaters declared 2019 “The Year of Chicago Theatre.” But anyone who has been following dance in Chicago in recent years will attest to the fact that it is now time to declare a “Year of Chicago Dance.”

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From left: Porscha Spells, KC Bevis and Kelsey Reiter in the Chicago Dance Crash world premiere production of “Lil Pine Nut: The Learning Curve of Pinocchio.” (Photo by Ashley Deran)

As highly animated as the show might be, “Lil Pine Nut: The Learning Curve of Pinocchio” is no Disney-style version of a universally popular story. 

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Chicago Dance Crash

This year’s gala concert was in many ways the sharpest production to date, with bravura performances by Giordano Dance Chicago, the Chicago Human Rhythm Project, Chicago Dance Crash and a slew of others.

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Dancers Bob Fosse, left, and Charlie Grass perform as The Riff Brothers. (Courtesy of Charlie Grass)

As a teen, Charlie Grass was Bob Fosse’s dance partner. Now at age 91, he’s teaching their old routines to young Chicago dancers.

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Kevin Beverley speaks with WTTW News.

Cirque du Soleil has visited Chicago every other year since 1989. This year, for the first time, the internationally minded “Circus of the Sun” features a performer with local roots. Meet Kevin Beverley.

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Hubbard Street Dance Chicago in “The Loss of Place” by Brian Brooks. (Photo by Todd Rosenberg)

The titles of the four pieces provide a telling suggestion of the psychologically probing works being performed with the company’s trademark blend of uncanny fluidity, plasticity, control and ensemble perfection.

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Eifman Ballet of St. Petersburg in “The Pygmalion Effect.” (Photo by Michael Khoury)

Watching the company as it performed Boris Eifman’s latest work, the feeling that his dancers are not well served by his relentlessly madhouse style of movement – manic, extreme, repetitive – could not be denied.

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(Courtesy of The Joffrey Ballet)

The venerable Chicago dance company got a creative boost from across the pond for the closing show of its season. Meet the Brit who made his own Britney Spears video and is now working with the Joffrey Ballet.

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The cast of “A Chorus Line” at Porchlight Music Theatre. (Credit: Michael Courier)

Three very different productions that recently opened on Chicago stages serve as a powerful reminder of the dramatically varied ways in which the language of dance can be spoken.