“Stomp!” based its show on the notion that you can make a joyful noise with everything from brooms to kitchen sinks. Mayumana builds on that concept with some great bolts of 21st century electrification.
From the performers’ dazzling technical skill and emotional conviction to the sophistication and complexity of each choreographer’s work, this program of four world premiere works was remarkable on many levels.
Alvin Ailey American Dance Theater returns to Chicago with three different lineups, including an opening program that captures its illustrious history with an absolutely fascinating, generation-shifting juxtaposition of two pieces.
A stunning program interlaced the formidable talents of dancers and choreographers from each company, suggesting that the two, if not quite identical twins, are the very closest of kissing cousins, different only in some distinctive rhythmic impulses.
Akram Khan’s “Giselle” is a hypnotic stunner that injects a primal scream into a story of romantic betrayal and class warfare whose mystical element has long captivated audiences.
From flamenco to contemporary to ballet, dance takes over Chicago area stages this month.
This haunting, visually fascinating interpretation of Leo Tolstoy’s massive 1877 novel serves as the latest evidence of the unique ability of the Joffrey to turn dance into riveting, multi-dimensional theater.
For the first time in its history, the Joffrey Ballet cues up an entirely new score for its daring new production. We get a peek at the company’s creative process – and personalities.
The unlikely story of how a beloved local TV show inspired the career of a beloved dancer, choreographer and teacher.
Six powerful works by the exceptional dance company – including two true masterpieces – explored everything from social issues and personal endurance to a spiritual search.
If you are in search of fresh choreographic talent, why not turn to the dancers who are right under foot in your own studio? Sometimes, this makes perfect sense. But as revealed in “dance(e)volve New Works Festival,” there can be drawbacks to this effort.
Now in its third season, the Joffrey Ballet’s radiant and altogether ingenious production of choreographer Christopher Wheeldon’s Chicago-themed reinvention of “The Nutcracker” is more luminous than ever.
A study in the darkness and luminosity inherent in human interaction, “Take” is nothing short of spellbinding. And it marks a new high point in artistic director Nick Pupillo’s always original, sensual, highly charged choreography.
It has been four years since the Joffrey Ballet first performed Christopher Wheeldon’s reimagining of “Swan Lake.” Its current revival serves as a vivid indication of the extraordinary artistry that now defines the Joffrey, from principal dancers to corps.
In its three-part fall season program, Hubbard Street Dance Chicago harkened back to the creation of the universe and the ascent of man before conjuring an apocalyptic vision of where it all went wrong.