A recent Chicago Symphony Orchestra program juxtaposed works by three masterful yet radically different composers of classical music: Wolfgang Mozart, William Kraft and Ottorino Respighi.
Hedy Weiss
The latest program by the Chicago Symphony Orchestra honors Robert Chen, the orchestra’s invaluable concertmaster and masterful violinist. It also features a glimpse of a rarely revived opera.
Something magical happens when Maestro Riccardo Muti arrives on the podium at Orchestra Hall to lead the invariably superb musicians of the Chicago Symphony Orchestra.
The Mercury Theater production of this show, with its tragi-comic book by William Hauptman drawn straight from the Mark Twain classic and a wonderfully varied score by country music master Roger Miller, is ideally realized on every front.
The ballet, now receiving its Chicago premiere in a grand-scale production by the Joffrey Ballet on the Lyric Opera House stage, is a strange but compelling work inspired by Hans Christian Anderson’s enduring classic and features impeccible dancing.
“The Cherry Orchard,” Anton Chekhov’s masterful play, is about change — social, historical, financial and emotional. And change is of the essence at the Goodman Theatre too, with this production marking the retirement of artistic director Robert Falls.
Violinist Joshua Bell and pianist Daniil Trifonov dazzled an Orchestra Hall audience Wednesday night, writes WTTW News theater critic Hedy Weiss. The musicians, in top form, even treated the enthusiastic crowd to two encores.
Alan Turing was a genius — a brilliant English mathematician and logician who is renowned for his invaluable work as a codebreaker during World War II. But he also was a tragic figure, driven to an early death by chemical castration (and possibly by suicide) because of his homosexuality, which during his lifetime, was treated as a crime.
A Chicago Symphony Orchestra concert featuring works from Samuel Coleridge-Taylor, Aaron Copland and Antonin Dvorak is well worth seeking out.
Tina Turner’s fiercely dramatic, profoundly painful and wildly successful life unfolds on stage in “Tina: The Tina Turner Musical.”
Part history, part imagination, and awash in clever verbal interplay, “Describe the Night” captures the spirit of Russian author and war correspondent Isaac Babel. The play follows certain aspects of his life and times — from his romantic attachments to his tense interaction with Soviet intelligence.
“Signed, Sealed, Delivered: A Stevie Wonder Experience” is driven by an impressive performance from singer, actor and pianist John-Mark McGaha. The show captures the sound and sensibility of Wonder while interweaving aspects of his personal life.
There is a palpable electricity in the air whenever the Alvin Ailey American Dance Theater arrives on stage at Chicago’s Auditorium Theatre. A recent performance featured pieces both old and new.
At a recent concert, the Chicago Symphony Orchestra played Schumann’s “Violin Concerto in D Minor” and Tchaikovsky’s fiercely dramatic “Manfred Symphony.” The beauty and dramatic energy of both works were wholly captivating, critic Hedy Weiss writes.
Of the four feverishly performed works that comprise Visceral Dance Chicago’s winter engagement, three were created in the wake of the pandemic years. But every one of the four might well have been given the all-embracing title of “Pandemic-Era Fever.”
The Chicago Symphony Orchestra was back on the stage at Orchestra Hall on Thursday. Klaus Mäkelä, the wonderfully graceful yet powerfully dynamic 27-year-old Finnish conductor, was on the podium to lead a stunning program.
