The story of Carmen, that gypsy girl of southern Spain who set men on fire, began as a novella in 1845 and was turned into a beloved opera in 1875. “Carmen.maquia” is a dynamic interpretation on stage at the Museum of Contemporary Art.
Hedy Weiss
Let’s hear it for the girls, and for the 1960s — a decade of liberation and change, change, change, especially for American women. “Beehive: The ‘60s Musical” brings the decade to life, writes WTTW News theater critic Hedy Weiss.
With “A Little Night Music” now on stage at Theo Ubique Cabaret Theatre, WTTW News theater critic Hedy Weiss recalls seeing the original 1973 Tony Award-winning Broadway production of the musical.
Paris will be hosting the Olympic Games this summer, but if you are in search of what might easily be dubbed the Olympics of French classical music, you have no need to purchase an airline ticket. Simply head to Orchestra Hall, writes WTTW News theater critic Hedy Weiss.
Cynthia Yeh, who has been the Chicago Symphony Orchestra’s principal percussionist since 2007, can make wonderfully expressive music by playing on nothing more than a bunch of clay flowerpots, writes WTTW News theater critic Hedy Weiss.
In a recent performance with the Chicago Symphony Orchestra, German pianist Martin Helmchen displayed fabulous speed-of-light fingering at one moment and lyrical grace the next, writes WTTW News theater critic Hedy Weiss.
The sound that filled Orchestra Hall during a recent CSO performance was absolutely glorious as Nikolaj Szeps-Znaider, the Danish-born conductor and violinist, did double duty, writes WTTW News theater critic Hedy Weiss.
It is a very good bet that you have never seen (and might never see) anything quite like Alexander Ekman’s “Midsummer Night’s Dream,” writes WTTW News theater critic Hedy Weiss. She calls the show a wild and crazy dream-come-to-life that is brilliantly performed.
For WTTW News theater critic Hedy Weiss, the Alvin Ailey American Dance Theater’s recent Chicago run brought back vivid memories. She first saw the company in New York City in 1972.
If you happen to be looking for a synonym to the word “polymath” you are sure to find its very best definition by heading straight to Writers Theatre. That is where the exceptionally multi-talented Hershey Felder is lighting up the stage with his remarkable performance of “Monsieur Chopin, A Play With Music.”
The CSO invariably generates pure musical magic, and it is undeniably one of the greatest cultural treasures of this city, and far beyond, writes WTTW News theater critic Hedy Weiss.
The run of this grand-scale Paramount production ends on March 24 and, if at all possible, I urge you to try and catch what is one of the most superb shows I’ve seen this season.
“Message in a Bottle,” which runs through Sunday at the Cadillac Palace Theatre, is simply a phenomenal production that should not be missed, writes WTTW News theater critic Hedy Weiss.
The Joffrey Ballet demonstrated both the technical brilliance and emotional boldness of its dancers as the company opened its 2024 season on the Lyric Opera House stage with “Studies in Blue,” a fascinating program of three modern ballets.
The Chicago Symphony Orchestra was back on stage at Orchestra Hall, barely a week after the orchestra’s intense three-week tour to 11 cities in Europe. As always, the musicians were in stellar form.
It is not an easy production to describe, but it is fascinating to watch. “Illinoise,” now onstage at Chicago Shakespeare’s Yard Theater, is an altogether unique and extraordinarily brilliant interpretation of Sufjan Stevens’ 2005 album.
