The story of Carmen, that gypsy girl of southern Spain who set men on fire, began as a novella in 1845 and was turned into a beloved opera in 1875. “Carmen.maquia” is a dynamic interpretation on stage at the Museum of Contemporary Art.

Let’s hear it for the girls, and for the 1960s — a decade of liberation and change, change, change, especially for American women. “Beehive: The ‘60s Musical” brings the decade to life, writes WTTW News theater critic Hedy Weiss.

With “A Little Night Music” now on stage at Theo Ubique Cabaret Theatre, WTTW News theater critic Hedy Weiss recalls seeing the original 1973 Tony Award-winning Broadway production of the musical.

The show is aptly titled “The Devil is in the Detours.” Scenes cruise along with solid laughs and then take a turn no one sees coming, because it is just so nutty.

David Kwong is a magician who also constructs crossword puzzles. As he puts it, “I combine the two nerdiest hobbies into one.” In his one-man show “The Enigmatist,” Kwong asserts that the disciplines of puzzle-making and magic-making share DNA.

Paris will be hosting the Olympic Games this summer, but if you are in search of what might easily be dubbed the Olympics of French classical music, you have no need to purchase an airline ticket. Simply head to Orchestra Hall, writes WTTW News theater critic Hedy Weiss.

Cynthia Yeh, who has been the Chicago Symphony Orchestra’s principal percussionist since 2007, can make wonderfully expressive music by playing on nothing more than a bunch of clay flowerpots, writes WTTW News theater critic Hedy Weiss.

The life and legacy of Val Gray Ward, founder of a pioneering Black theater company, was remembered this past weekend.

In the world premiere play “Turret,” humans dwell at the bottom of the food chain, and their days at the top are a distant memory.

Larissa FastHorse is the first Native American woman to have a play produced on Broadway. “The Thanksgiving Play” is now onstage at Steppenwolf Theatre. It’s a satire about earnest theater folks who attempt to stage a historically accurate Thanksgiving play.

In a recent performance with the Chicago Symphony Orchestra, German pianist Martin Helmchen displayed fabulous speed-of-light fingering at one moment and lyrical grace the next, writes WTTW News theater critic Hedy Weiss.

Mighty men and well-toned women paraded through the lobby of the Copernicus Center in Jefferson Park last Saturday, crossing paths with fans, supporters and vendors. The muscled masses were competitors in the Illinois State Championship of the National Physique Committee.

For Chicago area native Grant Reynolds, the performances mark his debut in a national tour for a Broadway show.

The sound that filled Orchestra Hall during a recent CSO performance was absolutely glorious as Nikolaj Szeps-Znaider, the Danish-born conductor and violinist, did double duty, writes WTTW News theater critic Hedy Weiss.

It is a very good bet that you have never seen (and might never see) anything quite like Alexander Ekman’s “Midsummer Night’s Dream,” writes WTTW News theater critic Hedy Weiss. She calls the show a wild and crazy dream-come-to-life that is brilliantly performed.

In a series of back-to-back English and Spanish performances set for the Cinco de Mayo holiday weekend, the “Physician Magician” will become “El Medico Mago” at the Rhapsody Theater in Rogers Park.