A fervent believer in the unique power of live theater, I have become quite a convert to broadcasts of live performances after seeing two superb National Theatre Live productions this past weekend.
Stories by Hedy Weiss
Taking Stock of Chicago Theater as 2019 Draws to a Close
Hedy Weiss | Dec 6, 2019
It would be all but impossible to survey the many great, good and sometimes disappointing productions of the past 12 months. But three recent shows suggest the great variety of work produced in Chicago – and the immense amount of talent here.
A Radiant Moment in Chicago History Key to Magic of Joffrey’s ‘Nutcracker’
Hedy Weiss | Dec 4, 2019
This highly original reimagining of the classic holiday tale is a monumental production both in its storytelling and its design, yet it manages to beautifully interweave its grand scale elements with human scale emotions.
Soprano Sondra Radvanovsky Vividly Conjures ‘Three Queens’ Betrayed
Hedy Weiss | Dec 2, 2019
In “The Three Queens,” the trilogy of semi-staged excerpts about the lives of Anne Boleyn, Mary Stuart and Queen Elizabeth I now in a brief run at Lyric Opera, soprano Sondra Radvanovsky captures their essence to sublime vocal and dramatic effect.
Revisiting the Unique Poetry of Simon & Garfunkel’s Soundtrack
Hedy Weiss | Nov 22, 2019
Listening to the richly faithful performances by Taylor Bloom and Ben Cooley was in many ways like stepping into a time machine. As I left the theater awash in memories, I wondered whether Simon and Garfunkel have seen the show in which they are so winningly captured.
Chicago Opera Theater Captures Extreme Passions in Pair of Life-and-Death One-Acts
Hedy Weiss | Nov 21, 2019
As Robert Frost famously wrote: “Some say the world will end in fire, / Some in ice.” And in a very real sense it was those two opposing endgame scenarios that Chicago Opera Theater conjured this past weekend as it opened its 2019-2020 season.
‘The Wickhams’ Puts a Beguiling Twist on a Jane Austen Sequel
Hedy Weiss | Nov 19, 2019
Northlight Theatre’s production of “The Wickhams: Christmas at Pemberley” has a playfully feminist spirit that Jane Austen surely would have appreciated, but it also remains true to its Regency era mentality.
‘The Niceties’ Captures Contemporary University Turmoil
Hedy Weiss | Nov 16, 2019
“The Niceties” is a brief and telling chronicle of the temper of our times, and actors Mary Beth Fisher and Ayanna Bria Bakari sustain the necessary tension and subterfuge required to keep things at the boiling point.
Stunning ‘Don Giovanni’ a Surprisingly Ideal Fit for the #MeToo Era
Hedy Weiss | Nov 15, 2019
The production, directed by Robert Falls (artistic director of the Goodman Theatre) is the finest work he has done on any stage since “The Iceman Cometh,” and it has been cast with glorious singers who also are exceptional actors.
Muti and CSO Bring a Touch of Italian Heat to Works of 3 German Romantics
Hedy Weiss | Nov 8, 2019
What happens when a conductor steeped in the Italian tradition takes hold of three works by quite different 19th century German Romantic composers? The answer could be heard as Maestro Riccardo Muti led the CSO in works by Wagner, Brahms and Schumann.
A Breathtaking Rendering of Beethoven, and a Richly Sonic New ‘Dream’
Hedy Weiss | Nov 4, 2019
Together with the brilliant musicians of the Chicago Symphony Orchestra, Maestro Riccardo Muti and violinist Leonidas Kavakos launched into an absolutely spellbinding performance of Beethoven’s “Violin Concerto in D Major.”
Leguizamo Blazes His Way into an Often Unexplored Cultural Inheritance
Hedy Weiss | Oct 30, 2019
There is no denying the ferocity of John Leguizamo’s tragicomic jeremiad, his bravura gifts as a terrific physical performer, or his ability to improvise in “Latin History for Morons.”
Tapping Into the Blistering Tragedy of ‘I’m Lenny Bruce’
Hedy Weiss | Oct 28, 2019
Directed with just the right balance of the sacred and the profane by Joe Mantegna, Ronnie Marmo’s show, “I’m Not a Comedian ... I’m Lenny Bruce,” is a seamless weave of excerpts from Bruce’s acts along with original material that deftly takes us inside the man’s psyche.
‘Andares’ a Powerfully Imagined Homage to Mexico’s Indigenous Cultures
Hedy Weiss | Oct 24, 2019
The show’s three exceptionally graceful, expressive actors – each of them powerful solo players – form a seamless bond that is beautiful to behold. They are at once passionate artists and fierce cultural warriors.
2019 Jeff Award Winners Capture Richness of Chicago Theater Scene
Hedy Weiss | Oct 21, 2019
The exceptional breadth, depth and variety of Chicago theater was on full display Monday night as the winners of the 2019 Jeff Equity Awards were announced. Here are the highlights.
Sensational Actress Works Her Magic in Writers Theatre’s ‘A Doll’s House’
Hedy Weiss | Oct 21, 2019
Writers Theatre’s production of “A Doll’s House,” cannily but faithfully adapted by Sandra Delgado and Michael Halberstam, and featuring a bravura performance by Cher Alvarez, brought the play back to life in the most unexpected ways.
Joffrey Dancers’ Dramatic Powers Soar in Hypnotic ‘Jane Eyre’
Hedy Weiss | Oct 18, 2019
British choreographer Cathy Marston’s enthralling production of “Jane Eyre,” is now being performed with stellar artistry and deep emotional insight by the Joffrey Ballet even though not a single word is spoken throughout the performance.
Stardom and Mortality Battle It Out in ‘Sunset Boulevard’
Hedy Weiss | Oct 16, 2019
A musical-opera hybrid, “Sunset Boulevard” captures the dual face of Hollywood as a dream factory and a dream destroyer. And it spins the haunting tale of Norma Desmond, an aging, once fabled star.
Art Is Love in Endearing ‘Man of No Importance’
Hedy Weiss | Oct 15, 2019
“A Man of No Importance,” now receiving an altogether beautiful, heartrending production by Pride Films and Plays, features exceptionally fluid, comedy-meets-tragedy direction by Donterrio Johnson and an ideal cast.
A Smashing Debut by Pianist Sunwook Kim at Thrilling CSO Concert
Hedy Weiss | Oct 11, 2019
The Chicago Symphony Orchestra was at its rip-roaring best Friday as award-winning pianist Sunwook Kim made a simply smashing debut with the orchestra.
It’s Time to Declare a ‘Year of Chicago Dance’
Hedy Weiss | Oct 9, 2019
The City of Chicago and the League of Chicago Theaters declared 2019 “The Year of Chicago Theatre.” But anyone who has been following dance in Chicago in recent years will attest to the fact that it is now time to declare a “Year of Chicago Dance.”
‘A Man of Good Hope’ Captures Immigrant’s Plight with Stunning Artistry
Hedy Weiss | Oct 7, 2019
Based on the book by Jonny Steinberg, “A Good Man of Hope,” is a heart-wrenching, fiercely honest, staggeringly beautiful production by South Africa’s extraordinary Isango Ensemble now on stage at Chicago Shakespeare Theater.
‘Oslo’ An Enthralling Exploration of How Personal Diplomacy (Almost) Worked
Hedy Weiss | Oct 2, 2019
J.T. Rogers’ superbly crafted, whip-smart, at times fancifully (and farcically) imagined 2017 Tony Award-winning play captures the efforts of a Norwegian husband-and-wife team to forge a peace process between the Israeli government and the PLO.
In ‘Every Brilliant Thing,’ A List Becomes a Reminder of Why Life is Worth Living
Hedy Weiss | Oct 1, 2019
Ingeniously conceived and cleverly directed, this immersive show features a not-to-be-missed solo turn by Rebecca Spence, a captivating actress of extraordinary skill, charm and improvisational brilliance.
CSO’s Opening Salvo in Beethoven 250th Birthday Celebration Proves Composer Forever Young
Hedy Weiss | Sep 27, 2019
When thinking about Beethoven, the emphasis should not be on the fact that he was born two and a half centuries ago. Rather, it should be on the fact that his music remains uncannily timeless – vividly alive and fully connected to the moment.