The CSO invariably generates pure musical magic, and it is undeniably one of the greatest cultural treasures of this city, and far beyond, writes WTTW News theater critic Hedy Weiss.
Chicago Symphony Orchestra
The Chicago Symphony Orchestra was back on stage at Orchestra Hall, barely a week after the orchestra’s intense three-week tour to 11 cities in Europe. As always, the musicians were in stellar form.
WTTW News theater critic Hedy Weiss reviews recent performances from the Chicago Symphony Orchestra, the Lyric Opera and Staatskapelle Berlin.
WTTW News theater critic Hedy Weiss recommends an evening spent with the Chicago Symphony Orchestra, guest conductor James Gaffigan and the extraordinary pianist Conrad Tao.
The Chicago Symphony Orchestra was in its usual top form this past week in a concert that was zestily led by Jaap van Zweden, the Amsterdam-born conductor who is in his farewell season as music director of the New York Philharmonic.
Although Maestro Riccardo Muti will soon head to New York and embark on a seven-country, 14-concert tour of Europe with the Chicago Symphony Orchestra, his concert at Orchestra Hall on Thursday evening was an ideal example of the thrilling bond between him and the CSO’s brilliant musicians.
Something truly magical (and magnificent) happens when Maestro Riccardo Muti arrives on the podium to conduct the Chicago Symphony Orchestra. The latest proof was on display in two different concerts this past Thursday and Saturday evening.
For the second half of its Ravinia Festival concert this past Thursday the Chicago Symphony Orchestra delivered a bravura performance of Russian composer Dmitri Shostakovich’s extraordinary “Symphony No. 5” and it couldn’t have been more timely in subtle way.
Whether she is performing songs from a Broadway musical, a familiar hymn or a gospel classic, Heather Headley possesses a voice and personality that can easily mesmerize an audience. And so she did with a grand-scale performance at Ravinia Pavilion.
With an audience approaching about 8,500 people, Maestro Riccardo Muti led the Chicago Symphony Orchestra at the “Concert for Chicago” in Millennium Park. He ended his 13-year tenure as CSO music director but will continue to conduct some performances.
Maestro Riccardo Muti chose Beethoven’s “Missa solemnis” as the work he wished to conduct to mark “the official end” of his glorious 13-year tenure as music director of the Chicago Symphony Orchestra. He has been named music director emeritus for life and will continue to lead occasional CSO performances.
Maestro Riccardo Muti, who turns 82 in July, is scheduled to conduct the CSO for six weeks in each of the next two seasons. His tenure began with the 2010-11 season.
The tuba may be one of the largest instruments in a symphony orchestra and an important source of the brass sound, but it is rarely celebrated in a work that puts it front and center by way of a masterful composer and musician.
If one needs any proof that calamity, whether personal and/or political, also has the power to inspire great works of art, Gustav Mahler’s “Symphony No. 9 in D Major” can easily serve as a prime example.
GluzmanGuest conductor David Afkham led the Chicago Symphony Orchestra and Vadim Gluzman, the extraordinary guest violinist, in a riveting performance of Dmitri Shostakovich’s fiendishly difficult, emotionally intense “Violin Concerto No. 1 in A Minor.” Perfomances of works by Ravel and Debussy rounded out the program.
A recent Chicago Symphony Orchestra program juxtaposed works by three masterful yet radically different composers of classical music: Wolfgang Mozart, William Kraft and Ottorino Respighi.