Louis Armstrong, with his instantly identifiable raspy tenor voice, was a formative force in the world of jazz for nearly half a century. Now, the musical “A Wonderful World” has arrived in Chicago in a show that is bound to end up on Broadway.
Hedy Weiss: Theater Reviews
The Chicago Symphony Orchestra was in its usual top form this past week in a concert that was zestily led by Jaap van Zweden, the Amsterdam-born conductor who is in his farewell season as music director of the New York Philharmonic.
Over the years there have been countless interpretations of “Frankenstein,” Mary Shelley’s extraordinary 1818 Gothic novel. But the Joffrey Ballet’s production of the story that recently opened at the Lyric Opera House might very well be its most stunning interpretation yet.
At once abstract, often acrobatic, and driven by alternately intensely challenging solo turns, strongly varied and emotionally heated interpersonal relationships, and ensemble riffs that are technically demanding and expertly finessed — “Take” is performed to stunning effect.
Audra McDonald's glorious soprano voice sounded as beautiful and emotionally expressive as ever, and her delightful commentaries between each of almost 20 mostly classic Broadway songs were at once witty and revealing.
In its Chicago premiere, “The Lehman Trilogy” is a fascinating chronicle of a monumental aspect of American history that is being ideally performed by three fabulously gifted Chicago actors.
Although Maestro Riccardo Muti will soon head to New York and embark on a seven-country, 14-concert tour of Europe with the Chicago Symphony Orchestra, his concert at Orchestra Hall on Thursday evening was an ideal example of the thrilling bond between him and the CSO’s brilliant musicians.
Something truly magical (and magnificent) happens when Maestro Riccardo Muti arrives on the podium to conduct the Chicago Symphony Orchestra. The latest proof was on display in two different concerts this past Thursday and Saturday evening.
Haidle’s work defies easy labeling, but perhaps the best description of his plays might be that they are magical realist portraits that capture the dynamics of the American family in unique ways.
The musical’s latest visit to Chicago, which will run through December at the Nederlander Theatre, is as grand-scale and exuberant as ever.
Shattered Globe Theatre’s vividly acted and deeply disturbing revival of the Arthur Miller classic “A View From the Bridge” could not have been revived at a more ideally timely moment.
The pieces were brilliantly danced by five men and two women. Founded in 2002, Dance Crash continues to develop intriguing works that are a unique and seamless fusion of hip hop and contemporary dance.
Featuring nearly 40 hit songs, “A Taste of Soul” takes an exceptionally clever approach to celebrating the irrepressible exuberance and heartache of soul music, WTTW News theater critic Hedy Weiss writes.
Lyric Opera’s free outdoor concert in Millennium Park served as an ideal introduction to the six operas to be performed during the 2023-24 season. The absence of scenery and costumes only put the focus entirely on the singers, but also made the characters come fully to life.
For the second half of its Ravinia Festival concert this past Thursday the Chicago Symphony Orchestra delivered a bravura performance of Russian composer Dmitri Shostakovich’s extraordinary “Symphony No. 5” and it couldn’t have been more timely in subtle way.
Michael Jackson was an iconic singer, dancer, songwriter, producer, philanthropist and intensely complex (and controversial) figure who transformed pop culture in the second half of the 20th century.